/ world today news/ On June 10, 2018, Sunday from 19.00 in the Hall of the NMA “Prof. Pancho Vladigerov” Zefira Valova – violin and Vasily Ilisavsky – hammer clavier will play within the framework of the 49th international festival “Sofia Music Weeks”.
National Academy of Music “P. Vladigerov” – Concert hall
“Evlogi and Hristo Georgievi” boulevard #94
June 10, 7 p.m. – NMA Hall “Prof. Pancho Vladigerov”
Concert by Zefira Valova – violin and Vasiliy Ilisavsky – hammer clavier
In the program: Beethoven, Mendelssohn, Schubert, Weber
Ferdinand Rees / Grand sonata for pianoforte and violin op.18
Allegro – Andantino – Rondo. Allegro moderato
L. van Bethoven / Sonata for Violin and Pianoforte No. 10, Op. 96 in G major
- Allegro moderato
- Expressive adagio
- Scherzo: Allegro – Trio
- Not very cheerful
…..pause…..
Franz Schubert / Impromptu in C minor Op. 90/1 for pianoforte solo
F. Schubert – Major Duo (Sonata) for Violin and Pianoforte in A Major D574
- Allegro moderato
- Joke: soon
- Andantino
- Lively cheerful
The festival is part of the calendar of cultural events of the Metropolitan Municipality for 2018.
The festival is the recipient of the quality label “Europe for festivals, festivals for Europe” of the European Festival Association for 2017 – 2018.
Co-organizers:
Ministry of Culture, Sofia Municipality, Sofia Philharmonic
Media partners:
BNT, BNR, TV1, Classic FM
www.sofiaweeks.com
The advantages of historical instruments in the performance of music from the Baroque era are familiar to the public. But few listeners (and even musicians) realize that the instruments of early Romanticism, which form the basis of today’s concert programs, are just as different from modern ones. Beethoven, Schubert, Mendelssohn, Schumann, Chopin wrote for instruments with much finer dynamics and clearer articulation than today’s.
The revival and study of performance principles from this time leads to stunning musical discoveries and answers questions that have plagued musicians for many decades.
One of these issues is the ratio between the piano (piano-forte or hammer clavier) and the string instruments in the ensemble. In classical and early romantic music, the grand piano of our time is forced to reduce its sonority in order to balance it with its partners, who, in turn, try to “project” (ie amplify) the sound. In this way, the natural balance of forces in the ensemble is distorted and many important musical details are missed.
The instruments of the period effortlessly restore this balance and illuminate, like the restoration of old paintings, many other nuances in the composer’s palette, often hidden from the hearing of modern audiences.
Vasily Ilisavsky
TICKETS
Tickets can be purchased
at the box office of the “Bulgaria” hall, the information center of the BNR,
as well as through:
#Zefira #Valova #Ilisavsky #Substance #Romanticism #Beethoven #Mendelssohn #Schubert #Weber
