Together to close Red Sea International Film Festival It included a number of initiatives to support talent andshort filmsMy Lady met Talal Awaji, screenwriter and novelist who arrived on the cultural and artistic scene, who discovered his talent from bedtime fantasies; To talk about the sector afor short filmsand his film, which won the festival’s support, as well as the importance of the festival to writers and filmmakers and what it reflects on them.
competition copies
First, talk to us Red Sea Festival From his point of view, he says: “It’s a very nice festival with a variety of programmes. In fact, its first session is compared to recent sessions in international festivals, which is positive and bodes well, especially as it presents many films wonderful and newly produced, and the festival also hosts stars who have spent decades of their lives in the profession. Sitting down and talking with them enriches knowledge and brings joy to the heart. The festival organizes many important seminars, workshops and support funds, i including the “Red Sea Market for Project Marketing”, the Red Sea Fund for financing short and feature films and the text development workshop, and I am proud of this festival, I am happy to have it and I am eager to participate and participate in it.
dead process
And about his short film “The Trial of a Dead”, which has won the support of the Red Sea, he says: The film is about a family who lives in a village and their eldest son dies, then the family gets into conflict and division to determine the method of his burial, and they decide to try him, and in writing it I was passionate about the psychological dimension of each character, and the contradictions that a person experiences due to the difference between his beliefs and his principles, and the human trial in which falls, and he will decide and act as he sees fit or implement what is dictated to him and with the approval of others, and will be shot in late December, God willing.
Elite movies
Regarding his experiences in short films, he added: Short films are important, and they are films for festivals and for the elite in the first place, and they rarely reach the viewer. Because it reserves a place for our work in international festivals and international forums and demonstrates our presence and continuity, and most of those who have succeeded from the young generation started with short films, who presented them at festivals and gave them the opportunity to reach audiences through the big screen, so short films find a place for me.
local stories
And on the feelings and ideas that he is keen to highlight in his writings, he replies: I like touching human stories that deserve to be told, just as Historical drama Writing our history and glories in our dramatic texts, tackling local issues and thorny issues from another angle, as well as writing about action and crime with a local rather than a Western character, and writing authentic stories related to our local identity and touching the scene and revamping what we offer in Saudi drama; Going into new or existing richly detailed areas of our lives has not been done enough. Regarding issues that he always likes to talk about, but puts them off, he says: Many issues need time commensurate with their social and political issues.
Interestingly, his long-running screenplay “Blood” was qualified for the Unexecuted Screenplay Competition BSaudi Film FestivalEd was named in the production market by choosing the producer, Ayman Gamal, and the script of the film was developed with the producer, Mohamed Hefzy under the auspices of Saudi Film Authority Which she chose from among the ten best texts presented to her.
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