Work representing the landscapes and faces of Guadeloupe exhibited on the Metropolitan Museum of Artwork in New York – Guadeloupe la 1ère

The Met is not simply recognized for its annual gala and his stars that flock to attend. The Metropolitan Museum of Artwork in New York is the biggest artwork museum in the USA and one of many largest artwork museums on the earth.
Since February 25, he has hosted the particular exhibition “The Harlem Renaissance and Transatlantic Modernism”.

“The Harlem Renaissance and Transatlantic Modernism” exhibit is at present on view on the Metropolitan Museum of Artwork in New York
•
© DR

This huge museum backed by Central Park offered an outline of the primary worldwide fashionable artwork motion based by African-American artists, which was presupposed to symbolize “the on a regular basis lifetime of the -today in new black neighborhoods like Harlem in New York and the South Aspect in Chicago within the years 1920-1940.

“By way of pictures, scenes of city and nightlife, by the main artists of the time, this exhibition highlights the central position of the “Harlem Renaissance” motion in shaping fashionable black material and even artwork at this time within the early twentieth century.“, defined the director of the Met, the Austrian Max Hollein.

Well-known artists embody Charles Alston, Miguel Covarrubias, Aaron Douglas, Meta Warrick Fuller, William H. Johnson, Archibald Motley, Winold Reiss, Augusta Savage, James Van Der Zee and Laura Wheeler Waring.

Amongst these works by African Individuals, work by the French painter Germaine Casse. She is thought for her depictions of West Indians and Guadeloupe landscapes.

The presence of European artists is a approach for the director of the Met to take away and lift the standing of the “Harlem Renaissance”, a motion that isn’t structured over time or restricted to Harlem, a multicultural and enormous space – well-liked in northern Manhattan.

The painter was born in Paris in 1881. She is the daughter of the previous Guadeloupean chief Germain Casse, who was particularly the governor of Martinique. The person is an ardent abolitionist. The painter’s mom, Julie John, is from Senegal.

Germaine spent her childhood within the West Indies. Very early, she began portray. In 1923, she organized the primary official artwork exhibition in Guadeloupe. The next yr, she created the “Affiliation of West Indian Artists” in Pointe-à-Pitre with the said aim of introducing fashionable artwork to Guadeloupe and Martinique.

Whereas she lived within the islands, she painted at the very least 145 photos, seashores, scenes of life or portraits of women and men. The one known as “Édoaline, a portrait of a younger lady“, representing a Guadeloupean girl carrying a madras scarf. Faces we not often see on canvas, exhibited in 1925, at an exhibition devoted to Germaine Casse on the Georges Petit gallery, in Paris.

From 1923, his work caught the attention of Individuals, particularly the general public eyeauthor, thinker and philanthropist Alain Locke. He has written extensively on the “Harlem Renaissance” Afro-cultural motion. This present is coming in 1918 and 1937 roughly “established because the richest phenomenon of influences in black American literary historical past. Energetic within the fields of literature, music, performing arts and visible arts, its members tried to rethink the idea of the “Negro” with out making an allowance for the white stereotypes that affected the connection to black folks had with the roots and in between” specifies the encyclopedia Universalis.

Locke, within the African-American journal Affirming Alternative Germaine Casse’s contribution to the brand new therapy of black illustration” and welcomes the”grownup curiosity growth” for the illustration of black folks.

Advocating for homosexuality and colonial discourse, Germaine Casse can’t take part within the militant and dedicated method of African-American artists or the method of Negritude.
His identify was talked about once more in 1940 by the historian Joel Augustus Rogers among the many black and combined individuals who marked the historical past of France.

The Met has chosen to focus on a part of Germaine Casse’s story. In 1924, she organized in Guadeloupe an exhibition of recent artwork described as “revolutionary”.