Home » Entertainment » Will the “Adnan Mereb” lens turn into a photographic memory for Akkar? | culture

Will the “Adnan Mereb” lens turn into a photographic memory for Akkar? | culture

Al-Akari photographer “Adnane Moureb” practices photography with passion, which has enhanced his photographic vision and given him the ability to create a photographic space through which he demonstrated that the lens has an aesthetic associated with decisive and tangible developments in the art of amateur photography, which is no longer confined to the family photographer or just to amateurs taking photos for personal memory. The art, the specialization and the ability of the lens to create angles in an aesthetic way that gives each photographic imprint is a breakthrough that Adnan Muhammad Mereb has demonstrated through the aesthetics of the image, which opens on different points through which discusses his vision with photographic objectivity, which he has been able to develop individually to make his lens a witness to the beauty of the rural scene, or more correctly: the beauty of nature in Akkar, in addition to the portrait and the illusory visual triangle that collects in a basic framework that spontaneously deals with the criteria of the framework that testify the moments of life, small and large, and others related to the event that archives for some associations that deal with various social issues. Was “Adnan Muhammad Mereb” able to impose his lens on photography and its main technical points? Or he is passionate about the beauty of what comes out of the photographic lens and has been able to develop to achieve the photographic technique through which he has achieved the ability to collect visual points of tangible aesthetic formation in many of the images he collects in his photographic archive. or on social networks from “Instagram” and Facebook, etc.? Is the natural landscape of some Akkar villages open photographically through the photographs of him?

“Adnan Muhammad Mereb” drowns in internal reflections to create technical points on the basis of the image that he captures with logical realism that responds to his goal, who loves the art of photography, who does not need ingenuity as much as passion in choosing and collecting framing, immersing oneself in the paintings through what Adnan presents from the angle he takes Through an imaginary triangle, is always the result of his enjoyment of the scene, the meaning or even the topic he presents through one image or several images. Some may think that the levels differ between the amateur photographer’s knowledge being less complete than that of the professional photographer, but this is related to self-development of photographic skills, as well as a steady start, improving artistic understanding and so on. This allows the photographer to advance and demonstrate his aesthetic standards in capturing the image in a simple way, a technique characterized by the photographic attraction achieved by the photographer, Adnan Muhammad Mereb, by highlighting the imaginary triangle in most of his photos that he took of people or a realistic scene, which made it a special cloudy card first and Lebanese with honors then. Will the “Adnan Mereb” lens turn into a photographic memory for Akkar?

The idea of ​​the image that reshapes the aesthetics of the scene has taken over the lens of “Adnan Mereb”, which tends to arrange the shot, according to a trilogy that poses many questions to the view, which generates a sense of the pictorial movement from which the image is born, as if its elements were summarized, to make spaces disappear according to its trilogy that forms its basis An aesthetic arises from it, to automatically give value to the focus of light and its spontaneity , which reduces many of the scales from which it escapes, leaving its triangle in the eye socket without releasing it through the open space on the spaces in which it can move. So what distinguishes the amateur photographer from the professional photographer is the true passion for the aesthetics of what the lens sees or what the eye sees? Is the professional technical development of the art of photography the common denominator between the amateur and the professional? Was the photographer, “Adnan Muhammad Mereb” exceptional, able to present a professional image in which the diversity of triple points prevailed?

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