Among the many most anticipated Spanish collection for this 12 months, one of many titles that swelled the checklist was Not another, the Netflix collection based mostly on the profitable novel by Miguel Sáez Carral. And after a number of months clinging to the curiosity that invaded us by way of its photos, the fiction has lastly been launched on the platform.
Specializing in scorching subjects reminiscent of sexist violence, bullying or psychological well being issues, the youth collection takes place a number of days earlier than the week of ultimate exams for the second 12 months of highschool.
On this context we meet Alma (Nicole Wallace), a 17-year-old teenager, conflictive, a foul scholar and with low shallowness, who spreads a white fabric in entrance of the facade of her faculty the place the night time earlier than she has written in massive pink letters. : “Cautious. A rapist is hiding in there.”
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How and when did this sexual assault occur? Who’s that rapist? Who’s the sufferer? Is what Alma denounces true or is it a lie? To search out out the solutions to those questions you need to journey again in time 5 months. That is the place this story begins.
Concerning the artistic course of, the aims that had been set at first and what it has been prefer to work with actresses with the attain of Clara Galle and Nicole Wallace they spoke with SERIES & MORE | THE SPANISH the producer of the collection José Manuel Lorenzo and Miguel Sáez Carralwriter of the novel on which it’s based mostly.
¿What was the target you set when adapting this novel?
José Manuel Lorenzo: Properly, there have been two aims. The primary is said to the novel, which is one thing that Miguel wrote alone. When he completed it, he gave it to me to learn and once I learn it I used to be shocked by the way it was written, by what it mentioned, by the characters it contained and since similtaneously he was studying it, he was visualizing it. I informed him that I wished to make a tv collection with that ebook and for it to be a collection for Netflix.
He checked out me with the same old skepticism about this stuff that an writer normally has, who is just not certain. And he mentioned ‘yeah, let’s attempt it’. And so it started. Then we tackled the novel, which had many keys, many components, lots of fact, lots of emotion, many characters and a really present approach of exhibiting the world and its transformations. And the chance to switch it to the display appeared fascinating to me with him.
Miguel Sáez Carral: We wished to inform a narrative from the reality, but additionally inform it with emotion, and construct a narrative that on the identical time was fascinating to look at, that’s, it was a tv product. However on the identical time we didn’t wish to quit the message that the novel had, that story of friendship and abuse that has a message on the finish: should you dwell in a scenario like this, know that you’re not alone. And if someday you resolve to lift your voice, if someday you resolve to scream, there will likely be many individuals who will likely be by your aspect. That’s the message of the novel and the message of the collection.
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José Manuel Lorenzo: And there was one thing else. We all the time tried to not turn into doctrinaires or apostles of something. We favored that the novel generated a discourse, that it was talked about, and that it was then accomplished with the collection, however that it was spoken not a lot from morbidity or stereotype, however slightly from the reality and the emotion that it might provoke in you. .
The collection analyzes how violence is carried out and, specifically, that it’s one thing structural and that challenges us all. Do you assume it may have an effect on the discourse that each the author of the ebook on which it’s based mostly and the creator are male figures?
Miguel Sáez Carral: We’re very conscious that we’re white, straight males of a sure age. What occurs is that, inside the story of the novel and the story of the collection, what predominates are feminine voices. And people feminine voices aren’t our voices, they’re the voices of, for instance, my daughter or my daughter’s mates. As a result of the novel began from the commentary of who my daughter was and what she manufactured from her and her mind-set, what her positions had been concerning her life.
Once we did the script writing and casting work, we had the eight scripts written, however once we began doing the script readings, during which the administrators, José Manuel and I, cooperated, we had the actresses, who’re ladies of 20 and 21 years outdated and who at the moment contributed a particular imaginative and prescient to historical past.
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Instantly, the scripts had been reworked, as a result of many areas or many components of the plot that we thought-about to be grey, wanted some clarification. And so they gave it to us. They informed us ‘we, as 21-year-old ladies, do not see it that approach’ and it was cool to take their imaginative and prescient and implement it within the scripts. This manner we acquired scripts that had been significantly better than those we had at first. Significantly better when it comes to the reality and the imaginative and prescient of teenage ladies. It is likely one of the issues that I feel we’re most happy with and that I feel have benefited the collection essentially the most.
José Manuel Lorenzo: We had the pink, inexperienced and grey areas very clear, and so they offered lots of gentle. They acquired very concerned. They did not come to play roles, they got here to dwell the characters. And that was great. Additionally, because of the time we had in pre-production, they lived collectively, they turned very mates and once they arrived on set, they weren’t Nicole and Clara, they had been Alma and Greta, and that was noticeable within the sequences. It was an train in humility.
Nicole Wallace and Clara Galle in ‘Not One Extra’ Netflix
Clara Galle and Nicole Wallace have simply starred in two nice youth phenomena reminiscent of by way of my window y My fault. Are you conscious that maybe this can assist attain a wider viewers?
José Manuel Lorenzo: They each received the position in a casting. They had been doubtlessly profitable actresses, however they weren’t as profitable as they’re now. Once we selected them it was as a result of they had been what we favored. Nicole has one thing that was what we had been searching for in Alma, that has lots of fact in her physiognomy. I did not anticipate that its success would assist us attain extra individuals. I’ve all the time thought that the issue was the primary threshold, breaking the primary viewers threshold as a result of phrase of mouth may also help this collection. The discourse is usually elusive and we want to go from the pages of the script to tv after which to the society pages.
Miguel Sáez Carral: It’s clear that having Clara and Nicole at this level of their lives and their social {and professional} success is lucky for us. In fact it’ll assist us attain many extra individuals. However I additionally assume that who Nicole and Clara are will assist, as a result of they’ve a really clear speech. They’re very recognized with who they’re and I feel they’ve their very own voice that’s vital to hearken to. They don’t seem to be two actresses who’ve come right here to play a task and it is over. Nicole and Clara are a part of the soul of this collection.
