You are now following the news of a famous seduction artist who appeared to take a bath completely without clothes, so the hero of the movie lost control of his instinct and attacked her.. You will not believe who she is! And now with the details
Riyadh – Ruwaida bin Abbas – 11/01/2021 at 11:03 pm | Follow Favorite
The Syrian star, Ighara, became famous for her bold roles in all the cinematic works that she presented during her artistic career, and she won many awards in Arab and international festivals.
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Ighraa is considered one of the most prominent stars of Arab cinema in the sixties and seventies of the twentieth century.
Ighraa wrote scripts for many of the films she starred in and worked in film production for many years, and she has a clear imprint on Syrian cinema in particular, and Arab cinema in general.
In a previous press interview, she called on all producers in the Middle East to return sex to the cinema again, noting that the kiss, swimsuits, and belly dancing are the basis for the success of any movie at the box office, she said.
Ighraa was born on February 19, 1942 in Damascus, and her real name is Nihad Aladdin. In 1972, she participated in the movie “The Leopard”, which told the story of Abu Ali Shaheen, a Syrian fighter against French colonialism, directed by Nabil Al-Maleh.
Striptease scenes. The film included scenes of nudity, most notably the scene in which she was bathing completely naked in one of the waterfalls in the Rabwah area in Damascus, with her compatriot, artist Adeeb Kaddoura, who stretched over her body while she was naked, a scene that critics described as “the most exciting in the history of Syrian cinema.” .
After the film was shown, “Ighara” said that she had agreed to film this scene in order to save the film, at the request of the director. And she uttered her famous sentence: Let my body be a bridge on which the Syrian cinema crosses to progress.
The Syrian star, Ighraa, is considered the first Arab artist to be completely naked in her films after the Egyptian artist Nahed Sharif, and her films often included scenes of nudity, sex and kisses, and for that she received many criticisms from conservatives. Undressing her, the Syrian actress responded, in an interview with The New York Times, to these criticisms, saying: “I took off my clothes in films, believing in my principles.”
Adding: “I took off my clothes on principle, and if I wanted to do it for the money, I would do it in the dark, and I would make more money.” Her artistic credit The Syrian artist, Ighraa, is also considered one of the artists of the beautiful era, and her name is still engraved in the memory and conscience of Syrians and Arabs to this day.
She contributed to the spread of Syrian cinema, and her credit includes about 70 films, and she participated in producing and directing five of them, in addition to 25 films starring her and bearing her signature, script, dialogue and authorship.
Her latest work
And about the reason for her disappearance from the artistic scene, Ighraa says: “I did not disappear, and I presented my last work 7 years before the events in Syria, which prevented us from producing. In addition to the fact that the producers fled in the late eighties because the Ministry of Culture did not meet their demands, and I was left alone in the field.” And I continued to produce.
My latest film, “Asrar al-Nisaa,” was produced, written, and directed by me. It continued to be shown in cinemas until it was closed, and it is still closed today. Where can I view my movies while cinemas are closed?
On the other hand, she confirms that the circumstance is not conducive to producing joint films that play a role in spreading her name in the Arab world, adding: “The joint films in which she participated are limited, some with Lebanese actors, and two films with the late Egyptian star Omar Khorshid.”
Not good films, and she sees the temptation that the arts are not separate, and this is what made her turn towards directing: “I used to sit with Al-Monitor to follow up on the details of the work, and I gained experience.
He who loves writing and acting, loves everything related to art,” adding: “I loved directing a lot, and I consider it a talent that cannot be acquired through education, and there are many directors in all countries of the world, whose films are not good, because directing is a feeling, experience and life experiences.”
Ighraa refuses to be told that her name reflects the daring roles that characterized her: “I was not distinguished by the roles of seduction. My artistic beginning was in Egypt, and I was at the age of 12, and the roles of seduction were not appropriate for my age, and the director Zuhair Bakir called me Ighraa, because he was Expect to become a temptation actress.
But I did not continue in Egypt by my decision, after I participated in two of my starring films, “The Return of Life” with Ahmed Ramzy and Maha Sabry, and “The Last Love” with Hind Rostom and Ahmed Mazhar.
She added: “It was always said, ‘Just a little’, and this phrase formed a complex for me, and that is why I left Egypt to return to it when I grow up, but I never returned because I built my career in Syria.
I am the only movie star in Syria, and there are no movie stars who did not come before me and will not come after me. 91757464
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