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Introduction
Bertrand Cosnet, Dominique de Font-Réaulx and Igor Sokologorsky, Ukraine. A history of art in the face of war
Perspectives
Jannic Durand, The first Christian buildings in kyiv
Jean-Claude Marcade, On some distinctive features of the Ukrainian school
Fabien Bellat, The reconstruction of kyiv under Stalin. between denial of the Ukrainian style and declared triumphalism
german accent
Katja Bernhardt, Robert Born, Mateusz Kapustka, Antje Kempe, Aleksandra Lipinska et Beate Störtkuhl, Blind spots in art history? The example of Ukraine
Studies
Enguerrand Lascols, From Trocadero to Mucem. Ukrainian heritage in French national collections
Stefaniia Demchuk and Illia Levchenko, Ukrainian baroque : Art, Myth and National Identity
Emma Catwoman, French Architects and Engineers in 18th-Century Eastern Europe : Migrations to the Polish-Lithuanian Commonwealth and Ukraine
Maria Taroutina, Painting Ukraine : Authenticity, Identity and Anti-Imperial Aesthetics in the Art of Ilya Repin
Alexandra Keiser, Archipenko and Ukraine : Considerations on a Multilayered History
Alisa Lozhkina, A photographer Named death : An Underdeveloped Negative of Biography
Kateryna Filyuk, From a Pine Tree to a Telegraph Pole : The Photojournalism of Iryna Pap
Nadia Bernard-Kovalchuk, Photography and ideology. Subversive strategies of the Kharkiv school of photography (1971-1991)
Oksana Karpovets, Defiant Bodies : Emancipatory Trends in Ukrainian Society through the Prism of Video Art (1991-2020)
Ada Ackerman, For a deferred look. The art of Mykola Ridnyi
Chronicles
Dominique de Font-Réaulx, Boris Mikhaïlov, From”Blaue Horse” Till Now days, 1965-2022
Denise Borlee, Wilhelm Voge, The Origins of the Monumental Style in the Middle Ages
2023-06-08 16:53:49
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