Top Ranked Articles from TRANS 27 (2023) – SIBE-Society of Ethnomusicology

Andalusian flamenco and Greek-Eastern rebético: Mirages in the construction of national identities

Gerhard Steingress (Independent researcher. Retired professor, University of Seville)

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From collections to the album as a “business card”: strategies and reinventions in the small edition of rural popular music in Portugal in the 21st century

Pedro Belchior Nunes (Institute of Ethnomusicology – Center for Studies in Music and Dance (INET-md), NOVA-FCSH, Universidade Nova de Lisboa)

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Gender parity. A pending debt in the collective struggle of self-managed rock musicians in the suburbs of Buenos Aires

Valeria Saponara Spinetta (UBA, CONICET/UNDAV)

Dossier: Reimagining Audiovisual Ethnomusicology

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An introduction to the special issue “Reimagining Audiovisual Ethnomusicology”

Dario Ranocchiari (University of Granada) and Matías Isolabella (University of Valladolid)

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Sounds of the Street Vendors: Collaborative Ethnographic Filmmaking and the Urban Soundscape of Havana

Jaime O. Bofill Calero (Puerto Rico Conservatory of Music) and Michael Brims (University of Houston, Clearlake)

6

The Meguru Panggul Methodology Online: Characteristics of the e-Learning Videos of Balinese Gamelan Music

Nico Mangifesta (Department of Musicology and Cultural Heritage in Cremona, Univ. of Pavia)

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Toward shared research practices on music. From an experience of music video production to the concepts of co-utility and transmodality

Dario Ranocchiari (University of Granada)

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The visual discourse as a vehicle to communicate ethnomusicological research: Sharing academic knowledge in Encomendação das Almas

António Ventura (Centre for Interdisciplinary Studies – CEIS20, University of Coimbra)

9

One or many cine-ethnomusicologies?: Four Plateaus of Possession/Bodying

Michael B. MacDonald (MacEwan University)

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Discussing, Doing, and Teaching Audiovisual Ethnomusicology Today

Jennie Gubner (University of Arizona); Domenico Staiti (University of Bologna) and Matías Isolabella (University of Valladolid)

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Exploring Ethnomusicological Films: Short texts by the directors of 6 films shown at the 2nd Symposium of the ICTMD Study Group on Audiovisual Ethnomusicology (Lisbon, 2018)

Jana Belišová (Comenius University of Bratislava); Robbie Campbell (MacEwan University); Horacio Curti (Sound & City Research Group, UAB-Esmuc); Benjamin Harbert (Georgetown University); Michael B. MacDonald (MacEwan University) and Miranda van der S

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“The Mute of tango: Eight studies on Carlos Gardel.” Omar García Brunelli (coordinator)

Dulce María Dalbosco CELC (María Teresa Maiorana Center for Studies in Comparative Lit. of the Argentine Catholic University) / APL (Porteña Academy of Lunfardo)

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“Current listening”, by Antonio Méndez Rubio

Héctor Fouce (Complutense University of Madrid)

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“Rebel Girls! Gender inequality, speeches and activism in the music industry”, Sánchez-Olmos, Cande; Hidalgo-Marí, Tatiana and Segarra-Saavedra, Jesús (coords.).

Paloma Ruiz Díaz de Rivera Goldsmiths University of London

15

“Other Celts: Modernity and Music in Portugal and Spain”, Salwa Castelo Branco; Susana Moreno Fernandez and António Medeiros (orgs.)

Jorge Castro Ribeiro (Institute of Ethnomusicology: Center for Studies in Music and Dance / University of Aveiro)

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“Chilean popular music by author. Industries and citizenship at the end of the 20th century”, by Juan Pablo González

Juan Sebastián Cayo S. (University of Playa Ancha, Valparaíso Chile. CIMA Autonomous Musical Research Center)

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“Black sounds. On the blackness of flamenco”, by K. Meira Goldberg

Josep Pedro (Carlos III University of Madrid)

18

“Without Documents”, by Héctor Fouce and Fernán Del Val

David Álvarez García (Complutense University of Madrid)

19

“Thesis in dance”, by Beatriz Martínez del Fresno (ed.)

Raquel López Fernández (UNED)