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Between the announcement of his return to Montevideo and the notice that the tickets were sold out, 20 hours passed at most, which was enough to confirm that Tini Stoessel He is going through his best work moment.
The Argentine singer and actress, one of the stars of contemporary Latin pop, will perform on Friday October 7 at the Centennial Stadium. will act on the olympic tribune and he needed less than a day to sell the 20,000 tickets that were made available to his public, one of those marks that are titled as record time.
Tini was on a roll in Argentina, where she sold out six performances at the Hippodrome of Palermo, a venue with capacity for more than 17,000 people. The sixth function will be this Tuesday; the fifth was yesterday, and it was possible to continue live through the Star+ streaming platform. The broadcast included a red carpet and Laurita Fernández, a rising host on today’s Argentine television, as host.
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The confirmation of his link with Uruguay is the icing on the cake of a full season at a professional level, which finds it between the phenomenon of his recitals and the premiere of new music.
On May 19, Tini completed her return to the most dramatic ballad with “Meat and bone”, a heartbreaking heartbreak song in which she shows off her vocal power and the search that marked the beginning of her career.
To balance the scales, a week later came “La Triple T”, a danceable hit of those with an instant effect. Mix of cumbia with reggaeton, a field in which the popstar has become an expert, the theme refers to the hose “Tini, Tini, Tini” that usually appears in his repertoire, and is an invitation to forget the sorrows.
Through dancing, partying and drinks, the singer and her team (Elena Rose, Andrés Torres, Mauricio Rengifo) build a response to her new slow, which allows her to dominate the list of 50 most listened to on Spotify in Uruguay. It’s not little.
But Tini’s presence extends into the national Top 50 with two other recent hits: “Fantasy”, a collaboration with Beele; Y “Bar”, which together with L-Ghent was the anthem of last summer. Or what is the same: behind the phenomenon of ticket sales, there is a hit machine that does not stop making achievements in a pop key.
That path, in the case of Martina Stoessel (25), began on the Disney Channel, hand in hand with the children-youth success Violetta. Released 10 years ago, the musical series had three seasons and gave the leading role to Tini, who had gone through Patito Feo and who took her first artistic steps.
Daughter of television producer Alejandro Stoessel, found international fame thanks to the character of a teenager who dreamed of singing, despite the refusal of her father (Diego Ramos), who wanted nothing to do with the girl’s possible future. She is on Disney+.
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Tini got the Martín Fierro as a revelation for her performance, but above all she took off as a singer. She toured, with the cast of the series, regional and European stages, she acted several times in Uruguay, and closed a stage with the film Tini: Violetta’s big change.
Then he launched himself as a solo singer, first with an American-style pop album (Tini, 2016), and then with a marked inclination towards urban sounds that led to its definitive consolidation. 13,965,858 monthly listeners on Spotify and 20,000 tickets sold in Uruguay in less than 20 hours are numbers that help chart a youthful, fresh and danceable phenomenon that conquers tracks and stadiums alike.
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