The lawyer Guillermo Pous, hopes it will be to early 2022 when at last the record material that Juan Gabriel, the “Divo de Juárez”, left recorded comes to light.
Pous, legal representative of Iván Aguilera who is the son and heir of Juan Gabriel, detailed how the progress of the next products derived from the work of “Juanga” is going five years after his death, being the record material the one you see closest.
“The plans have come a long way, with the label and publisher to announce at least initially the two albums that were pending that Don Alberto himself had on his desk and that they were ‘Duos 3’ and ‘Duos 4’, unpublished productions, continue with plans and schemes to try to start a pre-production as soon as possible for a bioseries continuation of ‘Until I met you’ “, detailed.
“See also if it is retaken the theme of the museum that is the most advanced and that should be the simplest, a setting in circus style music scene of a show for the whole family set with music by Don Alberto “.
The lawyer considers that Juan Gabriel never left, who left Don Alberto, and the “Divo de Juárez” has been present in the music that he left recorded and soon with new material.
In the framework of its new releases, Pous shares that On August 28, a series of events will be held to commemorate the fifth death anniversary of the Mexican singer. and only those held in Ciudad Juárez will be official celebrations.
“All authorizations have to be made through me, but they must necessarily be approved by Iván as he is the universal heir. All these celebrations are the official ones, are those that are carried out in Ciudad Juárez by the fan clubs officers coordinated by the teacher Alejandra Vargas “, he commented.
“It is the mass, the celebration in the vicinity and the house of September 16 and what is normally done to remember Don Alberto and Juan Gabriel.”
According to the posters, the commemoration will feature an exhibition of fan collections, a virtual serenade and the mass where the mariachi Luz de luna will participate, among others.
Pous reiterated that there is no other event authorized in another part of the country and that “if they were to do so, it would not be authorized and endorsed by the succession.” If any other public execution of his pieces was carried out, it would have to be paid.
“That is the appropriate thing, the correct thing, the legal thing, but it always happens that there are people who think that because they are a great idol of Mexico and because they consider it typical of the entire national culture, they do not have to do it, which is wrong.”
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