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With the premiere of “Alice in Wonderland” on Sunday (November 24th), the Osnabrück Theater made a magical start to the pre-Christmas season. The family piece by Jan Bodinus after the submission of Lewis Carroll thrilled the sold-out house with a colorful mix of imaginative costumes, technical sophistication and a playful ensemble. Directed by Marcelo Diaz The classic becomes a colorful stage event that thrills both children and adults.
The shrunken Alice (Sonja Giesecke, right) meets a caterpillar (Emil Schwarz) who is supposed to help her grow. / Photo: Stephan Glagla
A stage full of magic
The stage design and costumes Anja Fuhrmann take the audience into a dream world that sparkles with imagination. The journey to Wonderland begins in Cecilia’s kitchen, where Alice follows the White Rabbit into his burrow. Using video technology, Alice not only falls into a magical hole, but also shrinks, grows or even swims in a teacup through a sea of tears. This technical sophistication gives the production a special dynamic, while the changeable stage sets and oversized props – such as the caterpillar’s giant mushroom or the hatter’s enormous tea table – bring the wonderland to life.
The White Rabbit (Amaru Albancando) and Alice (Sonja Giesecke) swim in a teacup on the sea of tears. / Photo: Stephan Glagla
A playful ensemble
Sonja Giesecke impresses as Alice with her natural charm and tireless curiosity Amaru Albancando as a lively white rabbit providing pace and humor. Monika Vivell shines in her triple role as Cecilia, flower queen and chess piece-like queen of hearts – a performance full of presence and playfulness. Particularly noteworthy is the changeability of Cora Kneiszwho switches back and forth between green turtle, Cheshire cat and sleeping mouse with a lot of humor and vocal precision. Emil Schwarz and Saba Baghaei complement the ensemble with equally multifaceted depictions, such as hat makers, March Hares or playing cards.
At the Hatter’s (Emil Schwarz, second from left) the celebrations are pretty crazy. / Photo: Stephan Glagla
Music that catches your ear
Another highlight of the production is the music by Jannis Kafkawhich atmospherically accompanies the action and creates atmosphere. The catchy songs bring momentum and feeling to the stage without overwhelming the younger people in the audience.
An experience for young and old
With “Alice in Wonderland,” the Osnabrück Theater proves that it not only masters the world of classical theater and opera, but can also score points in the area of family theater with adaptable sets and colorful productions. The imaginative implementation of the material not only invites children to marvel, but also offers adults many lovingly designed details that will put a smile on their faces. With this successful premiere, the piece will certainly be a highlight for many Osnabrück students during the Christmas season. A visit to Wonderland is worth it for the whole family!
Lobster (Saba Baghaei, left) and green turtle (Cora Kneisz) sail across the sea of tears in the cooking pot. / Photo: Stephan Glagla
How does the production’s use of technology, particularly [mention a specific technology used, e.g., projections, special effects], contribute to the overall immersive experience of Wonderland?
## A Trip Down the Rabbit Hole: An Interview About “Alice in Wonderland”
Welcome back to World-Today-News. We are thrilled to be joined by two guests today to discuss the Osnabrück Theater’s recent premiere of “Alice in Wonderland.” We have [ **Guest 1 Name**, describe their expertise], and [ **Guest 2 Name**, describe their expertise]. Hello to both of you and thank you for joining us.
**Act I: Stepping into Wonderland – Artistic Vision and Design**
* **Interviewer:** This production of “Alice in Wonderland” is receiving rave reviews for its imaginative staging and technical elements.[**Guest1**couldyoushareyourthoughtsonthecreativevisionbehindtheplayandhowsuccessfullytheteamachievedit?
* **Interviewer:**[ **Guest 2**], you’ve seen countless stage productions. What stood out to you about the use of stage design, costumes, and technology in showcasing the whimsical world of Wonderland?
**Act II: Bringing Characters to Life – Performances andThemes**
* **Interviewer:** Sonja Giesecke’s portrayal of Alice is being praised for its charm and naturalism.[**Guest1**whatmakesherperformanceresonatesodeeplyespeciallywithayoungeraudience?
* **Interviewer:** The play boasts a broad ensemble cast, each portraying multiple roles. [**Guest2**whichperformancestrulycapturedtheessenceoftheclassicLewisCarrollcharactersandwhy?
* **Interviewer:** What themes from the original story do you think this production emphasizes, and how are they presented in this specific adaptation?
**Act III: Music of Magic – The Soundscape of Wonderland**
* **Interviewer:** Jannis Kafka’s music seems to be garnering a lot of attention.[**Guest1**howcrucialismusicinenhancingtheoverallexperienceandwhatelementsofKafka’sscoremadeitparticularlysuccessfulinthisproduction?
* **Interviewer:** Music often plays a delicate balancing act in family theatre – engaging both younger and older audiences.[**Guest2**didyoufindKafka’smusicachievedthatbalanceeffectively?
**Act IV: Curtain Call - The Lasting Impression**
* **Interviewer:** Ultimately, “Alice in Wonderland” has always been a story about discovery, imagination, and the journey of growing up.[**Guest1**whatmessagesdoyouthinkthistheatricaladaptationconveystotheaudienceespeciallychildren?
* **Interviewer:** What lasting impact do you believe this production will have on viewers, and would you recommend it to families considering attending?
**Closing Remarks**
* **Interviewer:** Thank you both for sharing your insights on this captivating theatrical experience. We encourage our viewers to check out “Alice in Wonderland” at the Osnabrück Theater for themselves and experience the magic firsthand.
