It is gone additional. He virtually by no means left the set. He labored on the TV sequence “For higher and for worse” and made dozens of movies. He was the writer of images for, amongst others, “Removed from the Window” by Jan Jakub Kolski, “Cisza” by Michał Rosa, “Profession of Nikosia Dyzma” and “Strong Gold” by Jacek Bromski, “Żurek” by Ryszard Brylski, “Symetria” and “Palimpsest” by Konrad Niewolski, “Extras” by Michał Kwieciński, “Vibrant blue home windows” by Bogusław Linda, “Zero”, “I am mendacity” and “Mushrooms” by Paweł Borowski, “Enen” by Feliks Falk, “Lullaby” and “Volta” by Juliusz Machulski, “Daas” by Adrian Panek, “Obławy” by Marcin Krzyształowicz, “Women from the Closet” and “The Man with the Magic Field” by Bodo Kox, “The Photographer” by Waldemar Krzystek, “Zaćma” by Ryszard Bugajski, “Black Mercedes” by Janusz Majewski, “March ’68” by Krzysztof Lang.
Arkadiusz Tomiak joked that each cameraman goals of filming at the very least one scene of an awesome battle. He achieved many issues
Arkadiusz Tomiak additionally labored on Krzysztof Łukaszewicz’s nice historic productions – “Karbala”, “Pilecki’s Report”, “Crimson Poppies”, in addition to on “Legions” by Dariusz Gajewski.
This set of titles alone proves Tomiak’s nice versatility. He was capable of make a modest movie with a disturbing temper and a calmly informed social story, he was capable of experiment with pictures and fill the display screen with battle scenes. It’s troublesome to rely his tv productions, sequence and movies. He didn’t draw back from documentaries, he beloved recording tv exhibits. He labored with previous masters, reminiscent of Janusz Majewski, however he additionally appreciated being on set with debutants.
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