The viewer makes a quick tour of the Ramadan series to decide what suits his taste and would like to watch it. After two episodes, there was relief for the series “The Seventh Harsha”. What does the title mean? In the lexicon, harash yahrush harash means scratching his head with his hand.
There is a movie by American director Billy Wilder entitled “Itch of the Seventh Year”, produced in 1955, starring Marilyn Monroe. Standing on an air vent, the actress tries to calm the flying fringes of her white dress. A shot from the film is the most famous in their popular culture of the twentieth century. So what is that itching, or scratching, and what is its relationship to the number 7?
It is a theory that appeared in the United States. Its proponents believe that the human individual tends to renew his lifestyle and relationships every seven years. He matures, his convictions change, and he wakes up one morning wanting to leave his home and his family members, but rather leave the city and the country to a new land where no one knows him. The numbers confirm that hundreds of thousands of men and women do this in the West, every year. No numbers about the East and our country.
In this way, heart experts believe that the marital relationship deteriorates after the seventh year of living under one roof. Even if the engagement took place after love. And there are those who abbreviate it in three years. Then passion cools, passion dissipates, desire dies, and happiness falls under the hammers of boredom and habit.
“The Seventh Harsha” is an Egyptian series written by Maryam Naoum and directed by Karim El-Shennawy. Representing Amina Khalil and Mohamed Shaheen in the two main roles. Cleverly written and seems gracefully executed. Modern and bold intimate. Hoping to continue at this pace and not be affected by an eclipse after the seventh episode. Each of the actors looks convincing in their role. Ali Qassem and Asma Jalal, and the adults Aida Riyad, Hanan Suleiman and Muhammad Mahmoud. The ancient freedmen pronounce the words clearly, and the younger ones swallow the endings of sentences and words. Does the intimate dialogue stipulate that the actors mutter and confuse so that we do not understand many of the exits of words?
It’s not about the series. It is still in its infancy and cannot be evaluated. The topic here is Amina Khalil. A star-like artist. In a relatively short period of time, she succeeded in occupying a position in the front row. A face is an extension of faces that left their perfume on the screen. She has the spontaneity of Faten Hamama, the spontaneity of Abla Kamel, and the spontaneity of Samira Ahmed. Then there is the cuteness in her looks and her smile. A magnet whose components are difficult to explain. A secret mixture that gives it pungency and deliciousness.
After multiplying roles, the directors made sure that Amina Khalil is suitable for various characters. The good and the bad, the wise and the playful, the poor and the rich. She has become a sought-after figure and has appeared in about forty films and series over the past ten years. There were small roles and then I got bigger ones. Her presence has become a favorite in Ramadan.
Amina draws attention to a natural nose that does not fit into the molds of noses prescribed for viewers. It filled screens and was everywhere. Streets, offices and universities. Some imagined that, after her success, the actress would rush to the first beauty clinic in the neighborhood. You’ll come out with a Michael Jackson nose, take a break from the comments, and move on. Many men and women must have advised her of this.
Self-confidence is part of charisma. She realized that the curve of her nose was the first feature of her face. She did not try to give the camera the angle that camouflages it. Which is what Souad Hosni was doing. A beneficial harmful Lord. Amina Khalil bravely kept her nose intact.
