For former theater producer Fátima Florez and the current Secretary of Culture, Leandro Cifelli, Dolores Reyes’ book is “shameful”. So, with these words he explained it. In fact, if I had to explain the purpose of that statement He would be tripping over his own words as he admitted that he had only read what appeared to be the opinion of “some journalists”.. He also believed that the films financed by INCAA were a “cheat”, without explaining which ones and which management.
Cifelli’s confession happened this Monday, when Radio Miter interviewed him. “It seems to be getting worse for me,” he said of it Earth Eaterone of the best selling books after the government’s own censorship attempt. He did not rejoice when he admitted that he did not read, but he thinks it is a shame that the governor of the Buenos Aires region, Axel Kicillof, did. He was not asked if he could read The Slaughterhouse by Esteban Echeverría, one of the crowning works of Argentinian literature – and a mandatory text in part of the curriculum – which contains a far worse scene than the book of Kings is narrated.
a few weeks ago Earth Eater It stopped being a book to be a symbol of the face against the conservative reform that is coming down from the highest levels of the Government. Last Saturday, over a hundred writers took part in an event at the Picadero Theatre against the attempt to ban novels and non-fiction works in school libraries in the province of Buenos Aires.
And, in terms of the market – something that Javier Milei is excited about – the writing of Reyes is also a phenomenon in sales: in months marked by the fall of consumption, Cometierra was the best selling book in Cúspideone of the bookstores with the largest number of rights in the city. In the top 100, Gaturro is in 99th place and none of the President’s books appear in the ranking.
“little”
At the same time, the public official – with a salary exceeding four million pesos per month – defended that Tecnopolis was cut to “pay past debts” and was not opened to the public.
In terms of explaining the INCAA – which the audiovisual community requested several times – Cifelli said, without data at hand, that “there are some subsidies, micro-credits” but the essential thing activity” a committee that evaluates what is going on. filming.” “Before they filmed the whole mess,” he told him.
Has he gone to the cinema or in this case has his opinion been used with some criticism in some media?
**How does the controversy surrounding “Earth Eater” demonstrate the tension between freedom of expression and the protection of vulnerable groups in a democratic society?**
## World Today News Exclusive Interview: “Earth Eater” and the Future of Culture in Argentina
**Introduction:**
Welcome to World Today News. Today, we’re delving into the controversy surrounding Dolores Reyes’s novel “Earth Eater” and its implications for cultural policy in Argentina. We’re joined by two distinguished guests: [Guest 1 Name and Affiliation] and [Guest 2 Name and Affiliation].
**Section 1: Censorship & Freedom of Expression**
* **[To Guest 1]** Secretary Cifelli has publicly criticized “Earth Eater”, calling it “shameful” without having read it. What are your thoughts on this approach to cultural discourse? How does this align with the principles of freedom of expression and artistic liberty?
* **[To Guest 2]** Some argue that “Earth Eater” deals with challenging themes unsuitable for young audiences. Where do you draw the line between protecting children and stifling artistic expression? How can we navigate these complex issues in a democratic society?
**Section 2: Funding for the Arts & Cultural Priorities**
* **[To Guest 1]** Secretary Cifelli defended the reduction in funding for Tecnopolis, stating it was necessary to “pay past debts”. How do you view the government’s allocation of resources to cultural institutions? What message does this send about the value placed on art and culture in Argentina?
* **[To Guest 2]** Cifelli also claimed the films financed by INCAA were a “cheat” without specifying which ones. What are your thoughts on the current state of filmmaking in Argentina? How can we ensure support for diverse and impactful cinematic projects?
**Section 3: The Commercial Success of “Earth Eater”**
* **[To Guest 1]** “Earth Eater” has become a commercial success despite the controversy. In your view, how has this controversy impacted the book’s popularity? Does this indicate a public appetite for challenging narratives?
* **[To Guest 2]** What does the success of “Earth Eater” tell us about the role of literature in contemporary society? How can writers and publishers navigate complex social and political landscapes while engaging audiences?
**Section 4: The Future of Culture in Argentina**
* **[To Guest 1]** Given the current political climate and cultural debates, what do you believe is the future of artistic expression in Argentina? What steps can be taken to foster a more inclusive and supportive environment for artists?
* **[To Guest 2]** What role should the government play in shaping the cultural landscape of Argentina? How can we strike a balance between supporting artistic freedom and addressing societal concerns?
**Conclusion:**
Thank you to both of you [Guest 1 Name] and [Guest 2 Name] for sharing your insights on this important topic. The debate surrounding “Earth Eater” highlights the vital role that art and culture play in shaping our understanding of the world and ourselves. We encourage our viewers to engage in thoughtful discussions about these issues and advocate for the preservation and promotion of artistic freedom.
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