Javier Gomá, Director of the Juan March Foundation and author of ‘A Man of Fifty Years’, he has said in RNE’s Las mañanas that through theater he has been able to investigate matters of interest and that until now he has looked at with philosophy. “The leap between philosophy and theater is not fatal or acrobatic, it is a most natural slide. What happens is that each genre responds to a different need. If there is theater, poetry, novel and essay, it is because it is the best An invention that humanity has found to respond to profound needs. The theater does justice to the tragic condition of the human being, “he said.
But he thinks they must be separate genders. “It would be a mistake to try to do philosophy in the theater. Philosophy must follow the laws of abstract thought, just like the novel. The novel and the theater have the ability to delve into what one feels. When one attends a play , sees bodies, exteriorities, and you access the inner world because it tells it, and it tells it in the heat of an interaction or the plot. The inner world is implicit, “he explained.
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