The reason why Netflix users refuse to finish ‘Ripley’ – 2024-04-14 11:12:52

The new series of Netflix It has captured the attention and curiosity of several users but it has not escaped controversy either. And now several of the platform’s users have taken their complaints to the networks, ensuring that they are not going to end production.

Is about ‘Ripley‘, a series that is based on Patricia Highsmith’s 1955 psychological thriller, The Talented Mr. Ripley, and which is the newest adaptation since the hit film of the same name starring Matt Damon in 1999.

Andrew Scott, best known for his role as a priest on Fleabag, plays the famous conman, who attempts to infiltrate a world of glamor and wealth.

Recommended

Why do fans say they won’t finish ‘Ripley’, the new Netflix series?

Despite the striking premise and the saga on which it is based, fans have complained about something in particular: the format of the series, which is in black and white.

“I didn’t even last one first episode. The cinematography is so annoying,” said one viewer. “Why the hell did they film Ripley in black and white? Without a doubt, the only reason for not filming in color previously was lack of technology. [Eso] Totally ruined it for me, but the dog doesn’t think it’s bad,” another joked.

One user pointed out that “[Filmar] “Black and white is a good way to save budget, but it adds nothing.”

The writer and director, Steve Zallian, He revealed that the decision to film in black and white had been made very early in the series’ creation and had been inspired by his own experience. “The edition of Ripley’s book that I had on my desk had a black and white photograph on the cover,” he told Vanity Fair.

“As I was writing, I had that image in my mind. Black and white suits this story well, and by the way it is beautiful.”

However, for the audience, it seems to be the opposite: “Really enjoying Ripley on Netflix, except I’m really annoyed that it’s in black and white. What a crime to make a sexy police series set in 1960s Italy and not film it in color.”

It is not the first production to implement this artistic decision, since titles that were well received by critics and the public also did so, as in the case of Oppenheimer o Roma.

In fact, some did take advantage of the creative vision of that resource, stating that they enjoyed the cinematography, and reasoning that it created “an atmosphere” different from that of the original film, differentiating it: “Great decision to film Ripley in rich black and white . “It intensifies the heaviness and tension of the piece.”