If I were the leader of a football club, seeing how each football match is processed and digested through the screens (those of the VAR, but also those used by television and radio commentators, mind you), it would be very clear to me: there are We have to create a pool of filmmakers, people related to the colors of an audiovisual vocation with the sole purpose of placing them in those nuclei of power that are already the studios of the networks with the television rights. The same crazy idea and with a mere ironic intention has already occurred to some of the white-collar thieves who inject so much toxicity into the sport. The same reality already surpasses my fiction. But here’s my advice.
If a novel or a movie becomes ours as soon as the texts and images are processed by our mind, the same happens with a football match. Before, when the matches were not televised or were done in rare cases, everything was concentrated on the spectator who saw it in the stands, there was no interested visual filter. Then came the editors of the Estadio Studio summaries, who were like the cavemen, the rustic artisans of the graduates who today rewind.
But the monster has become a colossus as soon as the schedules were cut to order, all of football Spain focuses on a single match, the one that is broadcast live at that moment, and those millions of eyes soak up what the director In turn, the collator decides to click. The power of it is galactic there.
And if the director repeats just once the good shot of the kick in the area that Manu Sánchez gives to Ocampos and turns the play into an anecdote that is not worth dwelling on, and then in the struggle between Jesús Navas and Douvikas He repeats and freezes to satiety the shot in which the Sevilla player’s grip is best seen and the Celtic’s is marginalized, a beautiful parallel reality weighing three and a half kilos is born. And, by the way, he doesn’t stop crying.
2023-11-06 04:02:10
#galactic #power #television #filmmakers
