The play Testosterone, with which the Reforma Theater “Juan Moisés Calleja García” of the Mexican Institute of Social Security (IMSS) reopened its doors to the public since the beginning of the COVID-19 pandemic, the season ended after offering 35 functions, which they enjoyed more of four thousand spectators.
In the last performance of this play written by the Mexican playwright Sabina Berman, she stated that “the State should encourage people to go to the theater for pleasure to be in community,” and stressed that Testosterone it was presented to a broad, diverse, enthusiastic and multi-generational audience that filled the room.
He acknowledged that Master Zoé Robledo “is the first director of Social Security for 30 years who has decided to give theaters another use, return them to their original and social use, and made the appropriate decisions (…) we believe that this inaugurates a new stage of the Institute and hopefully that the 38 theaters return to their original vocation ”.
The staging of Testosterone takes place in the management office of a highly influential newspaper. The director, played by Álvaro Guerrero, must decide who will be his successor: Alejandra (Gabriela de la Garza), his former student and deputy director of the digital version of the newspaper, or Beteta, the deputy director of the paper broadcast.
The play was directed by Ana Francis Mor, Mexican actress, writer, and theater director, set design and lighting by Philippe Amand, and stage direction by Ludwik Margules and Julio Castillo.
The regulatory directors of Medical Benefits, Célida Duque Molina; of Incorporation and Collection, Norma Gabriela López Castañeda; of Innovation and Technological Development, Claudia Vázquez Espinoza; and of Economic and Social Benefits, Mauricio Hernández Ávila.
In addition, the head of the Social Benefits Unit, Héctor Robles Peiro; the head of the Office of Control of the Directorate of Medical Benefits, Dr. Carlos Quezada Sánchez; and the general director of Afore XXI-Banorte, David Razú Aznar.
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