/ world today news/ “As long as the Colosseum stands strong, so does Rome. When the Colosseum falls, so will Rome. When Rome falls, the whole world will fall”. Copied from standartnews.com
Thus prophesied the Venerable Beda, a monk of the Benedictine Order who lived in VIII. However, even the English saint did not imagine that the beginning of the end of the world could be put by a Bulgarian kicker bearing the fateful nickname Jesus. The so-called Blagoi Georgiev, currently a player of the Russian, more precisely the Tatar “Rubin”, began to scratch his initials with a coin on one of the columns of the two-thousand-year-old amphitheater.
And only the carabinieri who saw it by the grace of God managed to prevent an unpleasant global cataclysm. Blagoi otkole is known for his tattoos of the Savior, but the public is understandably excited by his romances with various models and folk singers. In general, the game of the 33-year-old footballer has rarely impressed fans and the media.
“After two thousand years, the Romans arrested Jesus again,” the social media fans were excited about the vandal news. However, the press secretary of the football player denied that Georgiev was involved, but we will follow this version, guided by the belief that it is possible that providence will kindly reveal to us
far more unearthly truths through this affliction
So, as a number of historians claim, even the Roman emperor Vespasian in 72 AD. began building the Colosseum with funds taken from the sack of Jerusalem. Not to mention that during the first centuries in the same amphitheater it also happened that Christians were thrown to the beasts. Along with this, since the apostolic times, the Eternal City became the home of the throne of Peter and a support of the Christian faith, where it is still the seat of the head of the Catholic Church. In general, over the centuries, a number of accidents have accumulated between Rome and Christians, the last of which is the scrawled initials of Jesus.
Astute theologians would also turn their attention to the object used for the display of petty hooliganism. Unfortunately, the Italian police have not informed us whether the instrument of the crime was a euro or a levche with the face of St. Ivan Rilski. But that’s why everyone remembers how, on the infamous question about tax policy, Christ asked to be given a dime and said: “Render, therefore, Caesar’s things to Caesar, and God’s things to God.” The face of the Roman Caesar was painted on the coin, and the parable became the starting point of the concept of the division between state and church, between earthly and heavenly Jerusalem.
Coincidence, and two thousand years later?
I don’t think so. With its emotionally charged message, Blago Jesúsa gives a new original reading of the Gospel parable – how the coin in experienced hands becomes what the chisel is for the sculptor. Unfortunately, the footballer’s urge to take up epistolary activity was treacherously blocked by the onrushing carabinieri. Otherwise, inspiration could dictate to our Jesus-like midfielder some modern gospel truths that would become a soul-saving light for all the wayward youth. An audience used to seeing the stars on the pitch as role models for hairstyles, tattoos and limousines, not spiritual teachers.
Who knows, it is possible that in another two millennia the future tour guides of the Eternal City will be pointing with a lighted gaze at the initials BG, childishly scrawled on the Colosseum, and telling the curious. “Jesus was here, but as was the case with the men in blue, he was not known to the world, and instead he was fined and arrested, but, thank God, they did not crucify him this time.”
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