Today marks the 71st anniversary of the screening of the movie “The Master is Good.” The film, which was shown on June 23, 1952, starred renowned actors Farid Shawqi, Hoda Sultan, Rushdie Abaza, Hussein Riad Thuraya Salem, and Zozo Madi. It was written by Farid Shawqi and Al-Sayyid Badir, and directed by Salah Abu Seif.
“The Master is Good” tells the story of Al-Usta “Hassan,” a worker in an iron turning workshop. Hassan is dissatisfied with his life, despite having a loving wife and child. However, his life takes a turn when he meets a woman from high society who admires him and takes him away from his workshop, hoping he will become a successful businessman. In the end, Hassan realizes the importance of his previous life and returns to his workshop and his wife.
One notable aspect of the film is the portrayal of an elderly character by Hussein Riad. In the movie, Riad’s character is confined to a wheelchair and can only move with its help. During the filming, Riad spent most of his time in a wheelchair. Unfortunately, one day he experienced temporary paralysis, causing a halt in the filming process. However, doctors were able to find a solution and successfully treated Riad, allowing him to recover and continue filming.
“The Master is Good” remains a significant film in Egyptian cinema history, showcasing the talents of its cast and crew. As we commemorate its 71st anniversary, let us remember the impact it had on the industry and the enduring legacy it leaves behind.
What role did Farid Shawqi and Al-Sayyid Badir play in crafting the screenplay for “The Master is Good,” and how did their collaboration enhance the film’s storytelling
Today marks a monumental milestone in the annals of cinema history as we celebrate the 71st anniversary of the renowned movie “The Master is Good.” This timeless masterpiece graced the silver screens on June 23, 1952, captivating audiences with its talented cast and powerful storyline.
Starring the likes of the legendary Farid Shawqi, Hoda Sultan, Rushdie Abaza, Hussein Riad Thuraya Salem, and Zozo Madi, “The Master is Good” was a true showcase of talent. The screenplay, crafted by Farid Shawqi and Al-Sayyid Badir, came to life under the masterful direction of Salah Abu Seif.
The film delves into the life of Al-Usta “Hassan” – a dedicated worker in an iron turning workshop. Despite his loving family, Hassan finds himself discontented with his existence. However, fate intervenes when he crosses paths with a woman from high society who sees great potential in him. With hopes of transforming Hassan into a prosperous businessman, she whisks him away from his workshop. Yet, as the story unfolds, Hassan realizes the true value of his former life and returns to his humble workshop and devoted wife.
One standout aspect of “The Master is Good” is the remarkable portrayal of an elderly character by Hussein Riad. In the movie, Riad’s character is depicted as being confined to a wheelchair, relying on it for mobility. During filming, Riad devoted a significant amount of time in the wheelchair, fully immersing himself in the role. Tragically, one fateful day, he experienced a temporary paralysis that disrupted the production process. Thankfully, medical professionals swiftly provided a solution, successfully treating Riad and enabling him to recover and resume filming.
As we commemorate this momentous 71st anniversary, let us reflect on the profound impact “The Master is Good” had on Egyptian cinema. This magnum opus not only showcased the immense talents of its cast and crew but also left an enduring legacy within the industry. It is our duty to preserve the memory of this remarkable film and appreciate its contributions to the world of cinema.
“The Master is Good remains a timeless masterpiece that captures the essence of filmmaking brilliance. Even after 71 years, its captivating storytelling and exceptional performances continue to leave a profound impact. A true testament to the film’s enduring legacy.”