/View.info/ When Luna says she wants to be president, we take it as another obscene sound from the Foul Word Zone we’ve become.
But when Stefan Danailov makes hints about his relationship with Nevena Kokanova, it exceeds even the vulgar standards of the Zone.
Over the years, Stefan was the banner of the BKP, the banner of the BSP, he rode in a crappy tram with the eternal loser Stanishev.
Then he turned out to be a cowardly adulterer who mumbled something about his relationship with Krivoshieva.
And recently, without hesitation, he introduces himself as the unstoppable Lover.
He has long enjoyed himself in this role, the best example being his character in “Ladies Invite” – a kind of sleazeball who takes down provincial babes with stupid words.
His lines from the film in question are even used in beer commercials, which is absurdly obscene if you want him to be taken as a serious actor.
But Stefan is not at all worried about these things.
And how should we accept his words, spoken at the celebration of his anniversary these days: “I have eaten a lot, I have drunk a lot, I have experienced a lot…”.
Can you be considered a great actor and you talk about eating and drinking – and, in fact, about “the other” too, considering the obvious enjoyment with which you feed the audience some “secret” which, in fact , is real profanity.
Is our audience so wild that their interest is already exhausted by eating, drinking and the rest?
I do not believe it.
And for the “other” he is truly ruthless – more precisely in his stories, which are like those of a person who has lost all measure.
It oozes something about Kokanova – and forces us to ponder the nature of this filthy boast.
It alludes to the wife of the director Lyubomir Sharlandzhiev, who made it what it is – assuming that, in fact, it was all made along the guerilla opus Every Kilometer.
Everything else is appliqués to that glory.
And the Lover calmly suggests to the audience how he made a cuckold of the man who made him his thing.
So some time ago a hint about Anya Pencheva surfaced, it must have pleased Sasho Dikov very much.
And there was a time – only five years ago, when he trembled not to find out about his relationship with Krivoshieva and about their son, whom he cowardly hid from Maria – the wife to whom he owes a thousand percent of his career, he owes it to her care, spirit and aristocracy.
He keeps crying for her, but only in words – and now he’s flaunting his next “conquest”. How does she feel in the Afterlife listening to his rants?
As he led her on, he will soon “confess” that he was Stoyanka Mutafova’s lover as well.
I have the right to be extremely harsh about the Lover’s “revelations” because I’ve done quite a bit for him on Every Sunday over the decades – though he probably doesn’t even realize it.
I also did a whole rescue operation when they started tearing him down in “Vip Brother” for his affair with Krivoshieva, and he again cowardly covered up for some photos in Italy.
And it’s good that it was the brave and magnanimous Maria who I managed to convince and she brought him quickly to Sofia.
Then the two separately gave shocking interviews on “Every Sunday”.
Maria was regal as she gave him her forgiveness, and he predictably whined and kept asking, “Am I a good person?”
Hoping to hear the right answer for him.
And in “Vip Brother” they had set out to ruin him, they had put his portrait on the wall in the studio – enough to provoke some liberties from his until then unrecognized son Vladko.
I made a whole campaign to stop them, Silva Zurleva also helped, and the TV forced the producers of the show to take down the portrait of the Lover. That’s how he got away with it.
I really cannot understand the arrogant and, above all, completely unnecessary “confession” of the Lover.
He never had a particular taste for restraint, his brilliant style was enough for him.
But digging in Kokanova’s grave?
What the hell does that gain!
Will his acting talent elevate if he humiliates a great actress?
I mentioned Mutafova and I have to admit that she also did something strange these days.
I love her very much, she knows that. Stoyanka is from a completely different dough – there are not people like her every kilometer, she is a real aristocrat.
A few years ago, she was saddened when a collector of scandals forced the already elderly Kaloyanchev to use Partsalev in a dirty way.
Then Mutafova delicately defended Partsalev, but also stroked Kaloyanchev.
However, recently she too was dragged into the mud puddle – with some intimate story of Kaloyanchev.
What the hell is the point?
Make them all fagots, cuckolds, adulterers – that’s it?
To forget what kind of actresses they were, to make the audience interested only in the dirty – and that is the face of theater and cinema.
There is another. I say this to the young paradise now entering our trade: don’t imagine that you will be remembered if you turn up in the garbage. This will never happen to you – you will simply become part of the Underworld.
And one more thing: the ones you hang around and call “The Big One” because nothing else comes to your mind, will not be grateful to you at all.
They won’t even notice your tension.
Poor Nevena!
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