Home » today » Entertainment » The golden rice fields in the poem and painting are “moved” on the stage “Poetry and Painting China” uses singing to interpret the image of agriculture and weaving_TOM Entertainment

The golden rice fields in the poem and painting are “moved” on the stage “Poetry and Painting China” uses singing to interpret the image of agriculture and weaving_TOM Entertainment

The large-scale cultural program of China Central Radio and Television”Chinese poetry and painting“The seventh number will beNovember 13th(Sunday) Will air on CCTV Integrated Channel at 8pm. With the unique perspective of “combining poetry and painting”, the program breaks the boundaries of appreciation of different art forms and uses a more vivid and romantic way to convey the charm of excellent traditional culture that has gone through a long time and has been passed down to the present.

China’s excellent traditional culture has a long history and is the crystallization of the wisdom and essence of Chinese civilization. “Poetry and Painting China” presents many excellent works that extol people’s spiritual power in the innovative form of “combining poetry and painting”. Through innovative interpretations of classical paintings, it shows the Chinese nation’s unique spiritual identity, and promotes the spirit of the Chinese nation that transcends time and space, transcends national boundaries, and the cultural spirit full of eternal charm and contemporary value will enhance the influence of Chinese civilization and will bring new vitality to China’s excellent traditional culture.

This issue of “Chinese Painting and Poetry” will continue to use the innovative expression of the new era, exhibiting the volume of “Qing Dynasty Paintings Yinzhen Farming and Weaving”, the page of “Bamboo Forest Dialing Ruan”, the axis of ” Yellow Crane Tower” and “Dongzhuang Picture” The seven paintings handed down from generation to generation include the book “The Picture of Mrs. Xiangjun and Mrs. Xiang”, “The Picture of the Cold Camel and Remnant Snow” and “The Picture of Snow Covered in the Tianshan Mountains”, bringing the audience to experience the ancients’ pursuit of a better life and thinking about life, and to taste the history of Chinese civilization Cultural accumulation in the long river.

Legend of the PhoenixSinging about the plowing and weaving of life, dancing the pas de deux to “live” Qu Yuan’s poems

“He tills the fields during the day and grows hemp at night, and the village children are responsible for their families.”The land is the foundation of human survival. The Chinese people with thousands of years of agricultural history have a strong affection for the land. Numerous poems and paintings also record the Chinese people’s deep love for the land. The “Qing Ren Painting Yinzhen Plowing and Weaving Picture” brought by Fenghuang Legend, the person who opened the book, depicts scenes of people plowing fields, sowing and transplanting rice seedlings, harvesting mulberries and raising silkworms, and making garments. The small 46 pages condense Chinese culture The nation has a long history of agricultural civilization. In this episode of the show, Legend of Phoenix will be in the golden rice fields, using song to paint a picture of the pastoral life of the men who farm and the women who weave. Agricultural civilization is infinite, and our love of land and respect for work has always been the same. Today, in this fertile soil of China, generations of Chinese are drawing the “picture of agriculture and weaving” in the new era. Poverty alleviation and rural revitalization have made The ancient land glow with vitality.

“The emperor descends to Beizhu, his eyes are dim and sorrowful. The autumn wind curls, and the Dongting waves come under the leaves.” Qu Yuan’s “Xiang Jun” and “Xiang Furen” are twin chapters of each other ‘other, using the words of Xiangjun and Ms. Xiang respectively. The tone of voice describes the melancholy mood of looking into the distance, praying for nothing, and impatiently waiting not to see. Lou Wei, the executive vice president of the Palace Museum, brought the scroll of “The Picture of Xiang Jun and Ms. Xiang” as the person who opened the book. Wang Nianci, an actor from the Beijing Dance Academy’s Youth Dance Troupe, and Li Yiran, a dancer from the China Opera and Dance Theater, performed the roles of Mr. Xiang and Ms. Xiang, respectively. According to Lou Wei, the “Gao Gu” axis of “The Portrait of Ms. Xiangjun and Xiang” focuses on expressing the aesthetic interest of the ancients. In terms of creating the character image, Wen Zhengming imitated the brushstroke of Zhao Mengfu, followed Gu Kaizhi, and sets the master of color Faqian’s selection highlights the ancient meaning of the painting.


The golden rice fields in poems and paintings come


The golden rice fields in poems and paintings come

“In the past, people went near the yellow crane, and the Yellow Crane Tower is empty here. Once the yellow crane is gone, it will never come back, and the white clouds will be empty for thousands of years.” The Tower is known as “the first building in the world”. The Tower of the Crane has left many famous works over the centuries. The Ming Dynasty painter An Zhengwen also used superb border painting techniques to depict the magnificent figure of the Yellow Crane Tower. The person who opened the book, Ren Xianqi, will return to his hometown of Wuhan and sing in the painting.”yellow crane tower map“Axis, singing the majestic momentum of the Yellow Crane Tower and the nostalgia for the hometown. Standing on the layer after layer of “cultural pavilions” built by the ancients for us, we in the new era will definitely write new glories.


The golden rice fields in poems and paintings come

Traveling through the ancient and modern painting tour booklet “Dongzhuang Picture”, the personal show restores the Tianshan Snow Walk

“It’s depressing and desolate, it’s not a qin, it’s not a zither.”Bai Juyifrom”Shot with servant Linhu and listened to Ruan Xian“It describes the beautiful music of ruan, which makes people dream endlessly. Chinese ruan virtuoso Feng Mantian and actor Wu Jingan will jointly bring the page of the Southern Song Dynasty painting “Pulling Ruan in the Bamboo Forest” as the opening .Together with actor Liang Guodong, the two will restore the scene in the painting in the form of a stage performance.At the same time, the performance is also innovatively integrated into modern performances, combining ancient and modern times, as if a musical dialogue is been conducted through thousands of years.This new play of ancient melodies not only made the audience feel the unique musical charm of Ruan, a national musical instrument, but also endowed the traditional culture with new vitality.


The golden rice fields in poems and paintings come

“Dongzhuang’s water and trees have a clear brilliance, and the tranquility and leisure are opposed to the world.” Shen Zhou’s “Dongzhuang Map” in the Ming Dynasty depicts the tranquility, elegance, elegance and agility of Dongzhuang Forest with delicate brush strokes. Li Hongtao and Cao Jun, who opened the book, entered the book “Dongzhuang Picture” together, and used the form of dramatic performance to bring the audience to “visit Dongzhuang through painting” and talk about the ancient and modern times. Dongzhuang Forest no longer exists and the original site is today on the main campus of Soochow University. The “Gengxi Pavilion” painted in the painting is the place where the ancients worked and studied, but now students can already study and study in universities. In the comparison and exchange of time and space between the past and the present, we will feel people’s longing and pursuit for a better life throughout the ages.


The golden rice fields in poems and paintings come

“The snow clouds in the Tianshan Mountains do not always open, and thousands of peaks and mountains are filled with snow.” Qing Dynasty painter Hua Yan’s “Remaining Snow Image of Cold Camel” axis and “Snow Image of Tianshan Mountain” axis depict a traveler in red and a camel trekking Tianshan scene. Bi Yanjun, who opened the book, will use a personal exhibition of infinite meaning to convey the scenes and moods of the characters in the two paintings. During the performance, Cen Shen’s “Tianshan Snow Song Sends Xiao Zhi Back to Beijing” runs through it all the time. Just as it is written in the poem “How can I say goodbye in the snow? Only the green branches of pine”, although the poems and paintings describe the intense cold of the snow-capped mountains of Tianshan and the loneliness and hardships of the journey, they also express the perception of the author’s life and being like a green pine Dare to be proud of the unbending will of snow and wind.


The golden rice fields in poems and paintings come

This Sunday at 8pmContinue to watch CCTV’s full channel “Chinese Poetry and Painting”, savor poems and paintings, and feel the everlasting charm of Chinese culture, Chinese aesthetics and Chinese spirit across time and space.

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