After the success in the bookstores of Before Night Fallsthe heterodox autobiography of Reinaldo Arenas republished in 2022, Tusquets offers readers the amazing world, considered by critics as the best Cuban novel. The deranged memoirs of the Mexican friar Servando Teresa de Mier, exiled and misunderstood, were written as an “adventure” story by a 23-year-old Arenas.
Conversations with Bolívar and the poet Heredia, nods to Lezama and multiple trips and imprisonments –one of them in the gloomy Havana prison of La Cabaña– fuel the adventures of Fray Servando, who lived between the 18th and 19th centuries. In the vocation to heresy and the nonconformity of the friar, Arenas is plotting his own youthful portrait of him and, somehow, predicts the no less amazing life that awaited him.
The epistolary exchange between the Cuban poet Julián del Casal and his “much idolized teacher”, the painter Gustave Moreau, was published this month by the Spanish publisher Linkgua. cross correspondence it gives an account of the idolatry of Casal by the French artist, to whom he dedicated several poetic compositions collected in My ideal museum. The letters were translated by the Parisian academic Dominique Fernandez and the Cuban Roger Herrera, deputy director of the Paris Academy of Fine Arts.
Havana professor Jorge Brioso examines from philosophy, in Narcissus way (Empty House), the work of various authors –Homer, Poe, Mallarmé, Borges– and visual artists. “One recommends to the reader that, abandoning the calculating reason, let himself be carried away by the force of Brioso’s mythical prose and accompany him in his revelations,” Javier Gomá affirms in the back cover note.
For Ferrer, the writer is “a great reactionary, a graphomaniac, a man straddling two worlds and galloping toward the one he wanted to invent.”
In translation by Jorge Ferrer, Casa Vacía also publishes oriental motifss, by the Russian critic and philosopher Vasily Rozanov. For Ferrer, the writer is “a great reactionary, a graphomaniac, a man straddling two worlds and running at a gallop towards the one he wanted to invent.” As for the book, he assures that it is composed “with the most delusional carpentry of delirious Russia.”
Martí, one and many at a time (Verbum), by Leonardo Depestre Catony, brings together various articles that aspire to form a “journalistic biography” of the Cuban national hero. It also deals, according to the editorial presentation, with other aspects of Martí’s life, “traditionally controversial and previously ignored.”
The story of a writer during the Special Period is the plot of limits and debris, a novel by Arturo Arango. With his notes, the protagonist intends “not to forget and understand what we are experiencing.”
Cuba 11J: Counter-hegemonic perspectives of social protests (Marx21.net), an anthology by historian Alexander Hall on the demonstrations of July 11, 2021. A multiplicity of signatures –of very diverse ideological signs– explores “the motivations of so many Cubans who shouted for freedom.” Among the participants are Alina Bárbara López, Roberto Zurbano, Ailyn Torres Santana, Julio Antonio Fernández Estrada and Julio César Guanche.
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