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Tatort: ​​The wet nurse: The new Vienna crime thriller is so exciting

Crime scene: the wet nurse
That’s how exciting the new Vienna crime thriller is


“Crime scene: The wet nurse”: Moritz Eisner (Harald Krassnitzer) and Bibi Fellner (Adele Neuhauser) meet assistant Meret Schande (Christina Scherrer, right) and Dr. Kreindl (Günter Franzmeier, right).-

© ARD Degeto / ORF / Prisma Film / Petro Domenigg

It is Moritz Eisner’s 50th case and the assistant gets in bigger. But that is not the only reason why the Viennese “Tatort: ​​The Nurse” is so worth seeing.

The “Tatort: ​​The Nurse” (March 28, 8:15 pm, the first) not only marks the 50th case of the Viennese commissioner Moritz Eisner (Harald Krassnitzer, 60), who has been investigating in the Sunday crime thriller since 1999. Assistant Meret Schande (Christina Scherrer, 33) also joins a little bigger after her debut in “Tatort: ​​Schock” (2017). But above all the case and the pictures make the new Vienna crime thriller so exciting.

This is what the “crime scene” is about: The wet nurse ”

The discovery of a dead person in a desolate residential area is reported anonymously in the early hours of the morning. Jana Gruber (Susi Ramberger) was overwhelmed and brutally killed in her house. Circumstances suggest that the woman worked as a prostitute and had a child. But the nursery is orphaned, there is no trace of the child, a ten-year-old boy. The anonymous caller is identified and, surprisingly, there is a file on him: Gustav Langer (Christian Strasser) used to come into conflict with the law and had known the victim – as a suitor – for a long time.

But is he Jana’s murderer too? Inspector Moritz Eisner (Harald Krassnitzer) and his colleague Bibi Fellner (Adele Neuhauser) have doubts. They soon see similarities between the current case and an unsolved murder some time ago. The investigative team is increasingly worried about the possibility of a regular offender acting according to plan. The commissioners investigate until exhaustion – against time and a psychopathic killer.

Is it worth switching on?

Yes, because the thriller is exciting from the beginning and right through to the end. Among other things, this is ensured by the reduced but surprisingly used horror elements. There is also nothing at all to be lovable or pitiful about the psychopathic murderer, which makes him even more sinister in his sadistic dealings with the little boy and everyone he meets. At some point the boy rightly asks: “Where is my mom?” Only the Viennese Schmäh lets you breathe a little in between.

Bibi Fellner’s personal problems with insomnia, which make her irritable and unfair to the new assistant, and even lead to tinnitus, are interesting insofar as many viewers have probably already experienced such phases. Will the DVDs with the sound of the sea or the Bibi tablets help against the carousel of thought? Maybe she doesn’t need this help anymore, because after the showdown it looks bad for her …

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