La Dama Se Esconde is likely one of the Spanish teams of the eighties most adored by its followers. Based in 1985 by San Sebastian natives Nacho Goberna and Ignacio Valencia, the duo managed to impose their very own fashion outdoors the sound currents of the time, one thing that in flip didn’t forestall them from attaining recognition. Songs like Threats, The land of desires, Caught o metropolis hearth They helped them have a core of followers who have been loyal to them each through the lifetime of the group and after their loss of life. Time has solely strengthened respect for his work. For the reason that finish of the group, musical exercise in Valencia and Goberna has been scarce. The primary introduced a brand new band just a few months in the past, Trampa 22. For his half, Goberna has launched two solo albums, the final of them, A inexperienced tea forestin 2010.
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The mystique inherent to La Dama Se Esconde has ended up producing a delusion across the group. The mix of acoustic and digital sounds of their first two albums was nothing like different Spanish postpunk teams. Extra romantic than gothic, they created their very own lyrics, which remained intact whilst their fashion continued to evolve and open up. The thriller of their songs has ended up permeating the group itself. Goberna maintains a cautious distance from that delusion. On his social networks he disseminates, above all, points associated to tradition and matters with a social or political nature. He just lately agreed to interrupt his silence to talk with the Valencian journalist Fidel Oltra, who proposed to him to write down the ebook of conversations that THE MUSICAL has printed beneath the title Desires of The Girl is Hiding. Regardless of all the things, Goberna stays reluctant to present interviews. A rule that he has damaged to reply elDiario.es’ questions by e mail
Was it tough so that you can settle for The Girl’s Dream Hides?
Within the spring of 2022, Fidel Oltra contacted me by cellphone to suggest writing the ebook. My first response was disbelief. Seconds later the denial got here to my ideas, however I continued with out responding. I’d say that I want to stay immersed in each my current and my privateness. Wallowing in reminiscences, particularly in a method as detailed as I imagined the proposed conversational journey might entail, and on prime of that making it public in a ebook… Nevertheless, after these couple of minutes, I verbalized a sure. I sense that if Fidel Oltra had not been the bearer of the proposal and future captain of the conversations that might form the ebook, my response would have been totally different.
What’s your relationship with the music of La Dama Se Esconde? How do you view the cult that surrounds the group?
It’s an intense and cautious relationship, each. It amazes me to consider the ten years of “hidden” songs peeking into the current from that previous from which practically 4 many years now separate us. Additionally it is true that it’s magical to me, a present that I’d by no means have dared to think about at age 20, after I started to journey these artistic paths. I attempt to converse with that reminiscence that I imagine persists, as if I have been a spectator earlier than a staging of Chinese language shadows. I imply, along with being amazed, absorbed, enchanted, I additionally attempt to preserve a sure maybe protecting distance, a distance that helps me construct perspective within the face of what I hear, learn, see. In any case and most significantly, gratitude. It’s unimaginable to not thank every considered one of our followers of yesterday and as we speak, who’re those who’ve stored and proudly maintain alive their creative and emotional ties with La Dama se Esconde. With out them, with out them, nothing.
Why are you so reluctant to speak about your self?
I’m an introverted individual, at all times have been. That, along with the truth that I treasure my privateness tremendously, is what has most likely led me to not really feel particularly comfy speaking about myself outdoors of intimate environments, with “protected” interlocutors, with my family members. Even so, in sure circumstances, and I believe the ebook is proof of this, if I admire that I’ve to do it, I do it, or no less than I strive.
Is not it contradictory to place collectively a gaggle and make songs for others after which really feel uncomfortable in regards to the publicity that this entails?
I’d say that, because the writer of the hundred songs, lyrics and music printed by La Dama se Esconde all through its profession, I by no means composed them for others, I wrote them for myself. Once I began scribbling my first songs at 17, it was unimaginable to not fall in love with the compositional course of. I felt how extremely thrilling, motivating and intense the dynamic of constructing was for me, locked in my adolescent loneliness contained in the small room stuffed with birds within the household home, lyrics and music strung collectively in brief pop songs.
I treasure my privateness tremendously, which might be what has led me to not really feel particularly comfy speaking about myself outdoors of intimate settings.
Nacho Goberna — Musician
What occurred when the success that got here with it got here to you? The land of desires?
I assume it was too late to show again. As a lot as this rising publicity was uncomfortable, unsettling, disconcerting, I used to be clear that it was one of many costs to pay. It was the toll to have the ability to proceed dedicating a big a part of my time to that treasured work, and which contributed a lot to me, which was lighting songs surrounded by a small military of acoustic, analog and digital devices. I took a deep breath, discarded self-pity, and continued, in any case, attempting to benefit from the trip as a lot as doable.
Within the ebook you say that for just a few years you will have had no relationship with Ignacio Valencia. It’s regular for the members of a band to distance themselves whereas it exists or once they determine to separate. However that was not the case.
Our private relationship goes again to the primary group we fashioned after we have been 18 years previous in Donostia, Agrimensor Okay, which existed between 1981 and 1984. The connection was additionally good through the eight years of existence of La Dama Se Esconde. We share friendship and work. Then, already immersed in new temporal and materials landscapes, in different uncertainties and certainties relying on the case, life continued and, at a sure level, we overpassed one another.
Would The Girl in Hiding have been the identical with out him?
Not for me.
Your first efficiency was in Valencia, on the Ku Manises nightclub. What reminiscences do you will have of the event?
It was a efficiency that I’ll always remember. Together with a Drumatix drum machine and a Bassline bass sequencer, each pioneering artifacts of pop electronics, we carried our acoustic guitars and an ocean and a half of insecurities. We have been additionally accompanied by stage fright, then terror, and above all, what I might most likely really feel that evening on stage. Valencia was at all times a really welcoming metropolis for us since there we discovered, yr after yr, album after album, tons of assist and large affection. Right here once more, unconditional gratitude…
Disguise, take refuge. Two actions which have outlined your profession and likewise your character. What do you might want to disguise from?
Maybe one method to specific it may very well be by attempting to visualise a loop of ideas in merry-go-round mode, going spherical and spherical: shyness, privateness, tranquility, the necessity to play, fragility. And begin once more: shyness… It is a cycle that I at all times have a tendency to acknowledge myself with.
Within the ebook you make it clear that you do not plan to make extra music. Does there come a time whenever you determine that all the things has been mentioned?
There’s something to that. Even so, within the ebook I go away open the chance that maybe, sooner or later, soundscapes might arrive, however not literary or sung ones. Or not, you by no means know. Let historical past be written with the passing of the seasons.
What’s Nacho Goberna doing as we speak?
Along with my companion, Emma Rodríguez, a journalist specialised in tradition, in February 2013 we launched into the launch of an unbiased cultural journal, lecturassumergidas.com, free from ties to the market, information and rush. This month we rejoice our eightieth version. It’s being a very enriching journey for all of us who, in its bimonthly schedule, collaborate to make it doable. For the remainder, I attempt to encompass myself with the folks I like and who love me. I’ve realized to more and more worth honesty, decency, solidarity, generosity and loyalty. I’m saddened by the desolate drift by which we’re immersed. Again to the darkest occasions. How is it doable that we have not realized something?
In your X account you place your self politically and socially with out hiding. Is it essential to take a stand towards injustice?
Not solely is it essential, I’d say it’s important. Though we insist on ignoring it many times, Historical past is cussed, displaying us in a hyper-realistic method that the recurring monsters that emerge in sure levels of societies all through the centuries – wars, genocides, tyrannies… – neither disappear without end nor deliver one other factor that the catastrophe. And I believe it is our fault, as a result of we determine to overlook and stay silent whereas they occur. It appears to me that conniving silence not solely summons monsters, it additionally feeds them. In my eyes no less than, it appears indeniable that right here and now, 2024, the monsters have woken up and are hungry. That’s the reason I imagine that there is no such thing as a choice, that we should place ourselves towards them with out hesitation.
