The Tamayo Museum reviews the evolution of the global concept in the painter’s work
The oil The illuminated (1975), by Rufino Tamayo (1899-1991), presides over the first room of the exhibition The paradoxes of internationalism (told by the Tamayo Museum collection), whose second part is also curated by the English Kate Fowle, in collaboration with Andrea Valencia. In the 70s of the last century, the Oaxacan painter revealed that … Read more