Those who kept the screen of Telefe on Sunday the 22nd from 10pm. They must have thought they were really watching the Volver channel. Or, perhaps, a trip through time was invested in the mid-90s. It is the return to the small screen of Susana Gimenez it showed that the world and the audio-visual industry are evolving without stopping, except for the classic program of the Argentine diva who is based in Uruguay from 2020. It seems that she was involved in the years that’s when she bought a Mercedes Benz that had entered the country with a disability trucho certificate to avoid taxes or Customs duties. In her first visit, Susana showed the only thing she can give today: i ignorance of every subject to which he spokefrom which she built a successful career and which she boasts about without flinching. The audience joined in: yes the most watched circle on Sunday with 16.3 pointsalthough it was lower than the 18.6 he got in the 2019 debate.
“The first thing I want you to see is how tired I am.“. So, returning again to that body issue that has long been a concern, Susana Giménez invited everyone on a trip to the past that neither she nor the production refuses to go down. In fact: while the diva had the financial resources at other times to place international people in her living room, in these lean years the program repeats her worst vows (or better, to the public who still choose it) nothing new. As if the main audience channel in Argentina retired to satisfy the hard hearted diva fans stuck in the past.
The obsession – off-season – with the host’s body was seen from the very opening of this new season, which was only a broad sketch without any artistic concept or narrativewithout even the smallest scriptural work. In that video, the camera filters To update Susana’s image, they set the image texture of everyone who made cameos from the AFA buildings in Ezeiza, obscure with lean technology. That openingwhich was built under concept collect figures and hang on the Argentine soccer teamchampion in Qatar, the best example of that television considered a “sausage factory.” Intended to be funny, clever in its thinking and setting.
After the opening and the usual greetings of the diva to the stands, and to her young and muscular Susanthe program provided the interviews for the guests. Then, Susana showed again the an infinite gallery of mistakes, gaps and stumbling blocks that mark it, but because they are repeated much more than grace gives a little pain. No one will pretend that Jesús Quintero, a memorable Spanish presenter, is one of the iconic figures in Argentine culture. The gray dog. Not even if she knows moderately, as Mirtha Legrand does. But a driver can be asked not to know much about the people she will interview. Or at least read and memorize the questions and the information the production was responsible for gathering. Susana doesn’t even worry about that.
The first living room interview of the season was with Rodrigo De Paul and Leandro Paredesboth players of the National Team. The recorded report was the beginning of the dreams that many call “spontaneity” on the part of the host. The first stop happened when he asked Paredes about his mother Mónica, when it was actually De Paul’s mother. Seconds later, he returned to the fight with Paredes to ask him if his grandfather Osvaldo had “great respect” in his life, when it was really De Paul’s. Later, Susana asked Paredes if he was married and expecting a child. The person who got it was right, except that the Roma player was surprised because – he said – “we hadn’t counted it yet.” The last straw came immediately: the diva asked him if it was his first child, when Paredes already has two other daughters. All this happened, even though the interview was recorded and aired with obvious editing.
Beyond the furcios, which would not be the only ones of the night, the whiff of the nineties was ringing when the diva invite the players to play a trick gamein the timbero legacy of Gerardo Sofovich, which was a surprise for his opportunities: no one seemed to notice or care (what would be even worse) about the social debate that is taking place at the moment about the gambling problem that affects teenagers due to electronic betting. The diva was a partner Guillermo Coppolawho entered the studio with the song The killerby Cacho Castaña, as background music curtain. All very old self.
The singer was the other interviewer of the night Maria Becerra. Quilmes’ wife showed all her compassion and charisma, even breaking the glamorous protocol to invite her aunt Gladys, who was behind the cameras and who loves the diva, to come -into the report her sister had already joined. The singer did not emerge unscathed from the mistakes fairies: at one point during the conversation He told the singer that he had sung with Coldplay, when it was really Tini Stoessel who did it.. It was the same tribune who accepted the new mistake with a general instinct “nooooooo” that was taken over by the microphones and heard by all the spectators. The justification was even worse. “I was out, remember I was living in the country,” said the diva, referring to her choice to live in “La Mary”, her luxurious mansion in Punta del Este.
Nothing new to offer, displaying his usual brutality as spontaneously as it is naturalSusana Giménez completed an episode that could have been broadcast in the 90s, except for the guests and her amazing “unruly” hair. He honored the words of one of his most famous curtains, the one that says “I am Susana, I am always the same.” The same as always, although now with a tax house on the other side of the Río de la Plata to pay less taxes than the public that still follows him. payment.
