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Studio Tech Bridges the Gap Between ST 2110 and Dante for Seamless Integration

Studio Technologies Unveils Enhanced Audio Interfaces with SMPTE ST 2110 Integration

Studio Technologies⁣ has taken a meaningful leap forward in ​audio-over-Ethernet networking⁢ with the updated Model 5512A audio ⁤ and Model 5518A mic/line interfaces. By ‌integrating Merging Technologies’⁤ ZMAN module as the core ST 2110⁣ engine, thes ⁢devices now seamlessly bridge analogue signals with the SMPTE ST 2110 suite‍ of standards, ensuring robust and efficient audio-over-Ethernet connectivity. ‌ ‍

The Model 5512A is designed‍ to connect line-level analogue⁣ sources and output ⁤them in the ⁤digital ⁣domain via one or ‌two Ethernet interfaces. It also converts incoming ST⁤ 2110 digital audio signals from Ethernet connections back to analogue, ⁤delivering balanced line-level outputs. Available in two versions,⁢ the Model 5512A-01 supports eight ‌channels,⁣ while the model 5512A-02 ‍doubles​ that capacity with ⁣16 channels.

Similarly,the Model 5518A mic/line Interface caters to up to eight analogue microphone or line-level sources,converting ‍them into the ST‌ 2110 digital domain via Ethernet. It‌ also processes eight digital audio channels, converting them back ⁢to⁢ analogue for balanced line-level⁣ outputs. Both models adhere to the ST 2022-7 standard,ensuring redundant​ stream performance for enhanced reliability.

These updates mark a pivotal shift in professional audio networking, offering broadcasters and studios a streamlined⁢ solution for integrating ‌analogue and digital workflows.

| ​ Feature ‍ ⁢ | Model 5512A | ‍ Model 5518A ‍ ‌ |
|—————————|——————————-|——————————-|
| Channels ​ ​ | 8 or 16 ⁢ ⁢ | 8 ​ ⁢ ​ ⁤ ⁤ ‍ |
| Input Type ⁤ ⁣ | Line Level ‌ ⁢ ⁤ ‌ ⁢ ‌ | Microphone/Line Level |
| Output Type | Balanced Line Level ​ |​ Balanced Line Level ⁤ ‌ ​ | ‌
| Ethernet Interfaces | 1 or 2 ​ ⁣ ⁢ ​ ⁤ ​ | ‍1 or 2 ⁤| ​
| Redundancy Standard | ST 2022-7 ‌ ​ ⁢ ⁢ ⁢ | ST ‌2022-7 ‌ ​ ​ |

Studio ‍Technologies’ latest⁤ innovations underscore ⁣the growing ‍importance of SMPTE ST 2110 ⁢in modern media ‌workflows. By leveraging ⁣the ZMAN module, these interfaces not only enhance performance but also future-proof audio⁢ networking for ‌professionals.

For ⁢more insights into the SMPTE ST 2110 suite⁢ of standards,explore the detailed resources⁢ available from the Society of Motion Picture and Television ‍Engineers. ⁢

Discover how these⁢ cutting-edge interfaces can transform your audio workflows—explore Studio Technologies’ full range of ​solutions today.
Headline: “Webcasting the Future: A conversation with ‌Audio⁢ Industry Pioneer, Mark cycling, ⁢about Studio Technologies’ ST 2110-Enabled Audio Interfaces”

Mark ‍cycling, a seasoned professional in⁣ the audio industry and a passionate advocate for ​ST 2110 standards, joins us to discuss the latest innovations from Studio Technologies. With⁢ his extensive knowledge⁤ and expertise,⁤ he provides‌ unique ‌insights into ‍how these ST ⁤2110-compliant audio interfaces ⁤are revolutionizing broadcast⁤ and studio workflows.

Senior⁢ Editor (SE): Mark, thanks for joining us today. Let’s dive right ⁤in. Studio Technologies ⁢has recently⁣ unveiled enhanced audio interfaces ⁣with ​built-in SMPTE ST 2110 support. As an expert in this‌ field, what are ​your​ thoughts on this advancement?

Mark Cycling (MC): Thanks for having me. I’m thrilled about Studio Technologies’ latest updates. ‌The integration of Merging technologies’⁤ ZMAN module as the‍ core ST 2110​ engine has taken thier audio-over-Ethernet networking to the next level. This⁣ means seamless bridging of analogue signals with the SMPTE ST 2110 suite,providing robust and⁤ efficient audio-over-Ethernet connectivity.

SE: That’s exciting. Can⁢ you tell ‍our readers more about the Model 5512A and Model 5518A interfaces? What sets them apart from ⁢their predecessors?

MC: Of⁣ course. Both models, the 5512A line-level​ interface and the 5518A mic/line interface, now support‍ SMPTE ST 2110, which was missing in their previous versions.⁣ This ⁢means they can ⁢convert analogue signals to ⁣and from the digital⁤ domain using the ST 2110 suite. They also adhere ‍to the‌ ST 2022-7 standard, ensuring redundant stream performance for added reliability.

As for the⁢ specifics, the 5512A ‍comes‍ in two versions ​– 01 (8 ⁣channels)⁣ and 02 (16 channels), while ​the 5518A caters to up ⁤to eight analogue microphone or line-level sources.

SE: That’s a significant leap forward. How ⁣do these ⁣interfaces help in integrating analogue and digital workflows?

MC: Great question. These interfaces allow broadcasters and studios to ‌bring ​their legacy​ analogue gear into ‍modern, IP-based environments‌ seamlessly. They⁤ act as ‌bridges, converting analogue signals to digital (ST 2110) ⁣and⁣ vice versa. This ‍enables a smooth transition⁤ to all-IP workflows⁢ without having to discard existing equipment.

SE: Absolutely. For those interested in exploring SMPTE ST 2110 further, where would you recommend they start?

MC: The Society of Motion Picture and Television Engineers (SMPTE)‌ is an excellent resource. They ‌provide detailed resources and facts⁣ about⁢ the ST 2110 suite of standards on their⁢ website. Additionally, attending industry⁤ events and webinars can provide ‍valuable insights into ⁣the latest developments and‍ best practices.

SE: Mark, thank you ⁤so much for your time and for sharing your expertise with us. It’s been an enlightening conversation.

MC: My pleasure. Thank you ⁢for having⁢ me. I’m always happy to discuss the future of audio networking.

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