The premiere of the film The Diary of a Modern Photographer was a shame. Journalists did not recognize the author of the book version, Dominik Landsman. According to Jiří Mádl, it was difficult to play a couple with Tereza Ramba, because they are good friends. Why, according to Madel, was it strange to kiss her? And why did the director Jan Haluz “laugh” after his second child? You can find out in Stories from the Square.
The film was not a huge success in cinemas, at that time it was visited by around 130,000 viewers. For comparison, for example, more than 612,000 people visited the Czech comedy Prvok, Šampón, Teček and Karel by director Patrik Hartl in the same year.
Watch all parts of the show here >>> Stories from the square
For example, the film critic Kamil Fila described the modernist photographer’s diary as an unusually dynamic and retrospective film. “It is made in the same way that the American director Steven Spielberg makes films. The comedy is full of references that the average viewer does not notice,” said a critic at the time According to him, the film is full of directorial ideas, with good timing for gags.
Other film reviewers also praised the film’s attempt to avoid parenting stereotypes and clichés. “It goes with the times, so to speak, although Haluza learned several filmmaking techniques – just from the classic directors of the 70s and 80s,” wrote Lukáš Král for Kinobox, who criticized the film’s editing sometimes too fast.
“Jiří, don’t touch her there anymore.” Director Rafťák Mádl had to humiliate him in the role of a teenager (full article with video here)
“As I was filming Greetings from Leather Pants. The director Rafťák Mádl had to conquer a lot Video: Aktuálně.cz
2024-09-27 17:46:05
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