Köln –
“You guys were so awesome, right from the first title!” The first title, “MfG – Yours sincerely”, is almost 90 minutes over and almost 30 remain until the end. The fans in the RheinEnergieStadion can definitely return the compliment.
Together with the Fantastischen Vier they partied in tropical temperatures and rapped through the decades. The “30 Years Live” tour by Michi, Thomas D, Smudo and And.Ypsilon is a best of, a cross section of hits and favorite tracks. What else?
Borderline sound does not cloud the mood
If the formation of three at the front, with Andreas Rieke alias And.Ypsilon as a man in the background, shows “What’s up”, then that’s “Too cool for this world” and “Now it’s off” has a prophetic character. Like “Die Ärzte” and “Die Toten Hosen” in the same place, the forefathers of German hip-hop can also claim a multi-generational audience. However, this time the Cologne stadium is not completely sold out, when it is full there is room for 40,000 people, an estimated three quarters of them on Saturday.
The Fanta4 live band provides plenty of treats. The sound itself sounds, again, borderline. Sounding stadiums correctly is a fine art. That can’t dampen the enthusiasm. Seen from above, the sea of waving arms in the interior must appear like an animal with thousands of tentacles. Men in their mid-50s tear sweaty T-shirts from the growth rings that have become flesh, throw the sopping textiles in the air and catch them again or let them whirl above their heads like white windmill blades.
In “Dicker Pulli” two tattooed arms hold a piece of the eponymous knitwear towards the stage. “Because she’s gone, gone. And I’m alone again, alone. She’s gone, gone,” echoes the eternal but never yesterday’s hymn of the Forsaken, even if it’s over a quarter of a century old.
Trio is always on the move
“We’ll have to take a look at the set list, something else can come up,” laughs Michi Beck. And then, with “The Picnicer”, “Hitisn” and “Tag am Meer” comes a concentrated load of Fanta4 stories. The male trio in the front line never got tired. Almost constantly in motion, bobbing, hopping, springing, down the catwalk to the interior platform and back again.