Its success cannot be explained. So much so that the sequel has just been released. After “365 days”, “365 days: now” arrived on Netflix. And if the temptations and fantasies of housewives and office workers had so far been magnetized by the “50 Shades” trilogy, now it is this series of erotic films, judged to be trashy, fake drama and low-grade that are popular on the streaming service. Protagonists: the Italian Michele Morrone and the Polish Anna Maria Sieklucka.
The two films, a successful Italian-Polish production directed by Barbara Bialowas and Tomasz Mandes, taken from the books by Blanka Lipinska, show the story of the kidnapping of Laura, a girl who had hit the mafia scion Massimo Torricelli on a beach. Five years later, she is unhappy with her partner, she sees her again and has her kidnapped, betting that within a year she will fall in love with him.
A game of power, seduction and sex begins. Bianca before her is horrified and pushes him away, then she realizes the power she can wield over her jailer. With all the variations of the case. But what happens when, having explored all possible erotic games, you realize you can be a real couple. Can a mobster afford it? And a love like this is true love? Variety commented on the success of “365 Days” as “hot garbage”. Many noticed Morrone and Sieklucka. Yet a movie like this, in “rainbow” years and MeToo shields should be ignored. But instead it goes great. Let us ask ourselves why, the debate is open.
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