Home » Entertainment » Searching for the unique sound – 2024-06-06 16:45:42

Searching for the unique sound – 2024-06-06 16:45:42

/ world as we speak information/ When, within the fall of 2007, a pageant with the title “The Artwork of Baroque” appeared within the capital’s cultural poster, the thought was extraordinarily clear: baroque isn’t “ours” and, though it was so late, it was time for somebody to attempt to carry it on Bulgarian soil.

The viewers loves baroque music. Fashion is engaging in all the humanities. Even of their first makes an attempt, the organizers attracted artists, luthiers, dancers to the trigger. The issue is that even as we speak, throughout the sixth version of the pageant, the precise particulars of the baroque fashion in music are nonetheless not studied in Bulgaria, there aren’t any departments of early music in any of the tutorial establishments. That’s the reason the few younger musicians who sincerely want to delve deeper into traditionally knowledgeable practices (as it’s customary to name them) rapidly flip to Western European colleges, particularly within the Netherlands and Germany.

Going again in time, I understand that then, within the first years of the pageant, enthusiasm was on the fore. The constructive enthusiasm. As a result of with out the good need of the individuals from the Luxuria Europae affiliation, with out the “Ars Baroque” and “Concerto Antico” ensembles, every part would have remained inside the framework of excellent concepts and particular person realizations.

Nonetheless, over time, fairly rapidly, the musicians who’re additionally the drivers of the discussion board: violinists Zefira Valova and Ivan Iliev, along with the primary friends – cellist Linda Mancheva, recorder Eric Bosgraaf, harpsichordist Alessandro Piano, guitarist Izhar Elias, handed bravely within the skilled subject and there’s no longer any doubt – it’s exactly the excessive professionalism that determines the looks of every subsequent version of “The Artwork of the Baroque”.

One other factor can be spectacular – the rising curiosity of the individuals in leaping the boundaries of the Baroque period and presenting works from classicism and romanticism. This curiosity is decided by the truth that an important factor for musicians is the seek for the unique sound. And it could actually solely be achieved with devices from the period – originals or replicas. On the planet of the Baroque, “cue” isn’t a unclean phrase. Devices from the seventeenth and 18th centuries are costly and never at all times accessible to performers. Subsequently, for six years now, the “Baroque Artwork” pageant has given glorious Bulgarian luthiers an opportunity to create, to create baroque violins, violas, lutes, and many others.

“Baroque Artwork” 2012 began on October 6 and can proceed till November 26. The primary live performance of the pageant was by the worldwide ensemble CORDeVENTO. We’ve got already seen him on our stage in a trio format, however steadily the artistic connections of Eric Bosgraaf, Izhar Elias and Alessandro Piano with the Bulgarian musicians Zefira Valova, Ivan Iliev, Linda Mancheva, Yavor Genov led to new tasks in a extra prolonged composition, such because the recording of albums with music by Antonio Vivaldi in 2009 and Johann Sebastian Bach in 2011. Invariably, after glorious opinions from revered European critics, they’re additionally offered inside the Bulgarian discussion board. That is what occurred within the aula of the Sofia College “St. Kliment Ohridski”, the place two of the Bach concertos recorded on the disc, reconstructed for recorder and strings, have been performed. To those Eric Bosgraaf and CORDeVENTO added the curious model of Vivaldi’s Seasons, additionally with solo recorders.

Bosgraaf is a magnetic performer. His virtuosity is gorgeous. The viewers holds its breath on the sight of the quite a few smaller and bigger flutes with which the Dutchman seems on stage. His mastery requires immediate reactions from his companions as effectively. And with CORDeVENTO he will get every part he wants. The result’s actually spectacular.

Ensemble “The Ambassadors” (Les Ambassadeurs) with conductor Alexis Kosenko and soloist Zefira Valova

The idea of the live performance beneath the title “Impressed by Beethoven” was additionally engaging. The corridor of the Evangelical Methodist Church “Dr. Lengthy”. It accommodated the delicate sound of the guitar and hammerclave in the very best method, and there the devices didn’t need to “combat” with the acoustics. The concept of ​​this system was to current a number of works of Ludwig van Beethoven, which turned an event for different authors to jot down preparations and potpourri. This was a typical follow on the time, when the favourite guitarists within the aristocratic salons delighted these current with probably the most modern themes. Anton Diabelli and Wenzel Tomas Matejka have left their names in historical past. They got here alive earlier than us on this live performance by guitarist Izhar Elias, whose assortment of devices can be rising. And he can inform a narrative about every one in every of them. The Hammerklavier was as soon as once more Vasiliy Ilisavski’s. The dedication with which the performer takes his uncommon piano devices from stage to stage to introduce the viewers to the true sonority of the period is admirable. The strings additionally slot in very organically with the 2 of them: Zefira Valova’s violin, Ivan Iliev’s viola and Linda Mancheva’s cello. The transformation of Beethoven’s themes from piece to piece, from one timbre to a different, was undoubtedly an incentive for the viewers to hear extra rigorously and uncover the similarities and variations for themselves.

What’s developing on the Artwork of the Baroque Pageant 2012: “Schubert’s Passions” on October 30 on the Sofia College Auditorium with French baritone Alain Buet. “…For harpsichord or for piano…” – live performance of the duo Galina Draganova – Vasiliy Ilisavski within the Evangelical Methodist Church “Dr. Lengthy” on November 7. On November 17, the Baroque Orchestra of the European Union is visiting once more, this time with conductor Lars Ulrik Mortensen – one of many nice capacities on the planet in the case of early music. The invitation to a workshop the subsequent day on the “Pancho Vladigerov” Nationwide Academy of Music sounds very intriguing – hopefully the scholars and younger musicians will reply to the presence of a complete baroque orchestra and its assist in entering into the subject material. “Apotheosis of Bach” is the title given to the live performance of Aapo Hakkinen – harpsichord, Zefira Valova – violin and Alexis Kosenko – flute on November 17 within the College corridor, the place on November 21 Telemann’s music can be performed with members of the baroque ensemble Les Ambassadeurs. Its creators are Alexis Kosenko and Zefira Valova. The finale of the Sofia program can be staged on November 24 within the “Bulgaria” corridor with a live performance efficiency of the opera “Bayaderki” by Charles Simon Cattel. On this event, friends of the pageant would be the ensembles Solamente Naturali from Bratislava and Musica florea from Prague, performed by the Frenchman Didier Talpin. The Nationwide Philharmonic Choir “Svetoslav Obretenov” may also take part.

To all this, we should add two concert events outdoors the capital: on November 13 in Kyustendil, Zefira Valova will current a number of the baroque violin virtuosos, and on November 26, she and Todor Petrov on the harpsichord will play Bach in Veliko Tarnovo.

#search #authentic #sound

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