Andrzej Mularczyk, an impressive screenwriter of memorable Polish movies and TV collection, author, reporter, and writer of radio performs, has died – introduced the Polish Filmmakers Affiliation, of which Mularczyk was a member since 1964.
Mularczyk died on June 21, 2024. He was 94 years previous.
“Andrzej Mularczyk, an impressive screenwriter of memorable Polish movies and collection. Author, reporter, writer of radio performs. He created Kargul and Pawlak and was the screenwriter of Sylwester Chęciński’s cult trilogy. Andrzej Mularczyk, along with Jerzy Janicki, authored the script for in all probability the perfect collection within the historical past of Polish tv – +Home+” – it’s written on the web site of the Polish Filmmakers Affiliation.
Andrzej Mularczyk was born on June 13, 1930 in Warsaw. He made his debut on the age of 13, throughout the occupation, within the underground journal “Dźwigary”. After the warfare, he graduated from the School of Journalism on the College of Warsaw and began working at Polish Radio. In 1958, he made his debut as a screenwriter for the movie “Miasteczko” (1958). The censorship rejected the script of “The Nice Solar” a couple of younger man imprisoned throughout Stalinist instances for taking part within the conspiracy. On Could 29, 1960, Polish Radio broadcast the primary episode of the cyclical radio play “W Jeziorany”. By March 2024, 3,256 episodes had been created. About two million folks hearken to it frequently.
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Mularczyk was the writer of dozens of scripts for movies and collection, together with: the trilogy “Sami swoi” (1967), “Nie ma Mocych” (1974), “Kochaj albo chul” (1977), in addition to the tv collection “Residence” (premiere of the primary episode in January 1980, the final one in December 2000).
In an interview given to PAP in March this 12 months. In an interview, Mularczyk recalled engaged on the collection “Residence”. “For Jurek Janicki and me, the collection was a abstract of thirty years of reporting and journalistic work, our skilled path and our numerous private experiences. That is why we had unimaginable sentiment for this collection – we gave all of it the perfect tales from our lives and the lives of the heroes of our reportages,” he mentioned.
He recalled that originally the collection was speculated to include solely 4 episodes. “The plot started within the spring of 1945 and lined just a few post-war years. We didn’t even dream of constant the plot by the next many years of the Polish Folks’s Republic till 1980. We believed that at most two years would go from the script to the premiere. As an alternative of 4, the primary collection produced seven episodes, the following ones in 1981-82 with a break attributable to martial legislation. One – in 1986-87. After the autumn of communism, two extra collection had been made – in 1995-96 and the final, fourth one – in 1999-2000 the truth that the final episodes had been proven for the primary time within the new century. Greater than 20 years had handed from the taking pictures of the primary episode in March 1979 to the work on the final twenty fifth episode “It was created in 4 collection. The script was changing into an increasing number of swollen with subsequent threads, however it was not written in sequence, it was extra like a ‘hiccup’, which contributed to the drama,” Mularczyk recalled.
Mularczyk’s eventualities additionally served as the idea for, amongst others, such movies as “Whoever Is aware of…” by Kazimierz Kutz (1966), “An Unusually Calm Man” (1975) by Stanisław Bareja, “Gorilla, or the Final Job” (1989) by Janusz Zaorski and Andrzej Wajda’s final movie “Afterimage” (2016). The screenplay “Katynia” (2007) was based mostly on his novel “Put up mortem”.
Within the years 1970-77, Mularczyk was the literary director of the Iluzjon Movie Group. He was a member of the Polish Movie Academy and winner of the Polish Filmmakers Affiliation Award for excellent creative achievements and contribution to the event of Polish cinematography (2018). (PAP)
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