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Sci-fi wonder belongs in the race for the best film. Point.

The 2021 Oscars nominations were announced earlier this week. At first glance, an exciting and diverse field reveals itself. But wait, the Academy has it main motion picture from last year completely ignored in the main categories. Christopher Nolan’s science fiction epic Tenet should top the list of nominees by a long way.

Tenet, the ultimate motion picture 2020, deserves any price

Tenet has only received two Oscar nominations. Best production design and best visual effects. On ungrateful consolation prize for Christopher Nolan, who, like no other director, has devoted himself to the cinema experience over the past twelve months. Tenet is pure cinema and exhausts the possibilities of the big screen in all conceivable facets with maximum effect – the ideal candidate for the best film.

Christopher Nolan’s Tenet in the best quality for home cinema

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Tenet is a film for the senses. A film to dream and to be amazed. A film to lose yourself in a world of images. Forwards and backwards we see an adventurous story unfolding on the globe, ours Turns perception upside down and at the same time unleashed a pull that we cannot escape. In Tenet, one element interlocks impressively with the other.

You can watch the trailer for Tenet here:

Tenet – Trailer (Deutsch) HD

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It is impossible to imagine the massive images without the driving music. Without the fantastic dynamic between John David Washington and Robert Pattinson. Without the polished dialogues, the sophisticated script and the precise editing. Once the rousing action is set in motion, there is no turning back. Tenet turns out to be perfect unity, carefully, but also staged with risk.

Tenet belongs in the Oscar race for the best film

Christopher Nolan definitely deserved a nomination for Best Director and Best Original Screenplay. He creates the kind of intrepid blockbuster cinema that does remarkable things on many different levels, but from the Academy for years stubbornly ignored when Mad Max: Fury Road doesn’t come around the corner. But even then, the award for Best Film seems out of the question.

Tenet could not only have mixed up the king’s category at the Oscars. The film also triumphs on the acting front – keyword: Robert Pattinson. Rarely has an acting performance been so predestined for the golden boy as Best Supporting Actor. Before Pattinson takes off as a grim Batman, he turns out to be gorgeous in the background of Tenet’s blockbuster bombast Heart of the film.

In addition, there are three performances that should at least be mentioned: John David Wahnsington plays one outrageously casual James Bond variation and asserts himself as the leading man in Hollywood. Every sad look from Elizabeth Debicki tells of an ocean of unspoken feelings. And whatever Kenneth Branagh does, he dominates every scene with tremendous devotion.

Tenet

Where the actors’ non-nominations can be coped with, the next four categories only raise question marks. How can it be that Ludwig Göransson’s epoch-making score does not break through with the best film music? The individual compositions are the Pulsschlag of Films and a great extension of the energy Nolan bundles in his motion-laden images.

Tenet is pure cinema and Christopher Nolan in its purest form

Speaking of pictures: cameraman Hoyte Van Hoytema has been accompanying Nolan’s work since Interstellar and once again proves to be a secret joker. Best camera should be just like Best Editing and Best Sound on the Tenet-Oscar-Nominierungsliste stand, although the latter aspect is very controversial in Nolan’s recent films. The accusation: you are too loud, you cannot understand anything.

Nolan has long since stopped thinking in these dimensions. With him everything is blurred into a great stream of consciousness, um Moods and emotions to create. As with Dunkirk, Nolan relies uncompromisingly on the cinematic language he has developed over the years. Here we are back to the introductory point: Tenet is pure cinema. And this cinema should be recognized at the Oscars.

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Would you have given Tenet more Oscar nominations?

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