by Maria Teresa Veneziani
Fashion took Sanremo, an opportunity for stylists to present their dream dresses humanized by characters who in turn know well the power of a perfect look
Designer from head to toe, but don’t talk about it. Even having the sketch previewed is now a feat (without the surprise effect). Fashion took Sanremo, an opportunity for designers to present their dream dresses humanized by the characters, who in turn know well the power of a perfect look to establish themselves in the collective imagination. Many snubbed the Festival, but when it came to clothing, they were all pushing. Today the much feared Ariston staircase, broadcast worldwide, has replaced the staircase of Donne sotto le stelle in Trinit dei Monti, explains Gai Mattiolo, the stylist to whom Amadeus remains faithful even for the 74th edition of the Festival.
She prepared 35 combinations for him to leave him free to choose, he will wear about ten, with about three changes per evening. Ama will shine a little more than other times, assures the stylist, talking about that jacket in shades of Ama blue decorated with 80 thousand crystals, which almost sounds like a threat to the critics of the pop creativity that unites him with the presenter and that of his wife Giovanna, also in a Mattiolo total look. Not just the typical blue of the TV showman, there are also black and white tuxedos, with matching shirt, or white, knowing that he would lean towards the latter, because it is proudly pop.
Proudly in Roberto Cavalli will be Teresa Mannino who the stylist Fausto Puglisi has already dubbed his muse. For me, like Charlie Chaplin – she enthuses – she manages to capture the essence of the human being, she knows how to make people laugh and cry at the same time. We are fellow countrymen. I looked for her and dress her, respecting her style, the one that makes her feel good. So a shirt and trousers, which for couture with a pleated flare. Black – she is very Sicilian, but there are also white and green versions, because fashion is above all a question of state of mind. And if Fiorello plays the elegant man in Giorgio Armani, certainly, the more vain Marco Mengoni, chameleonic to the point of moving with great ease from Armanian rigor to the perforated tank tops of the fluid boy of Fendi and that’s not all…, always Tiffany jewelled. Annalisa in Dolce Gabbana plays the black lady right from the green carpet of the pre-opening (but this will be the mood of all the evenings, it transpires from the maison): black organza trench coat, tulle turtleneck combined with the black satin corsetry bodysuit. Black tulle gloves and heeled boots. Meanwhile, Dargen D’Amico, through Moschino from Ariston, sends his stop to wars: the jacket is a hymn to peace. The Negramaros’ idea of dressing the Varese brand Paul & Shark (but bejeweled by Tiffany) is sporty, the non-conformist Fiorella Mannoia relies on the Seventie style of Luisa Spagnoli, the classic one of the musicians of the amazing Rai orchestra, again this year all dressed in veils from the bridal brand Atelier Em.
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February 6, 2024 (modified February 6, 2024 | 09:18)
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2024-02-06 07:57:33
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