REVIEWS: It’s never too late. Hope without a superficial impression of the first darkness Culture

OSLO About Vnocch me, many people are on the boards. From personal experience, few people can tell the story as strong, deep and dramatic as the Norwegian director Maria Sodahlov in the film Nadje.

A long-awaited and honestly deserved artistic breakthrough, then the fate of the diagnosis, the martyrdom read and negotiated with lkai, tdr day with a large family, birthdays, New Year’s Eve, an unexpected wedding, operations with a speedy hope. The heroine of the film can do it all He finds it prot in one mole inside. So (and first of all) during these times, his relationship with a life partner is developed and he learns what is really important.

Marie Sodahlov’s film will soon enter Czech cinemas, and at the same time it will be the main competition of Febiofest, which does not claim exclusivity in terms of quality, and therefore it does not matter that this film was presented at festivals in Toronto, Berlin and Trondheim. The Febiofest competition is thus officially reserved for a number of upcoming films, so that for most of the fifty years of research it could seem inadvertent.

However, the real thing is only its kind of feature film and its late emergence is related to the darkness of the film. I svj spn celoveern debut Limbo Maria Sodahlov created at the relatively mature age of forty years. She won the prize for directing at the Montreal Film Festival and won the Norwegian Film Prize, but she could not go to work, she contracted cancer. Film He finds it reflects his experience, which was performed by the whole family in a group with his partner, director Hans Petter Moland. And even if the heroes of the film are not called Maria and Hans Peter, nbr Anja and Tomas, do not work in filmmaking, but in the theater and their age, they are not different than ten, but twenty years, according to the rehearsal of these hectic films Vnoce she remembers them herself.

Necessary, e He finds it would be effective as ir fiction. In this way, you can also marvel at how dramatically seven scenes wrote life this time, and together with that you can admire the skill of researchers working with this material, find an important message in it and at the same time avoid pathos and banality.

O koho se opt?

First of all, the brain tumor, caused by previous and seemingly overcoming diseases, reaches the choreographer Anja, when, after years dedicated from a large family of horses, she managed to break through to the international scene. It is all right before Christmas and the light cycle is in full swing. Anja’s father drank at the nvtva, cheering on Christmas Eve after those loskas pokaench Anja’s illness of all children (those of Tomas from a previous relationship and those with Anja), social duties are pouring in.

Diagnosis is unpleasant this time and time is minimal. How and when to announce such a thing to a child? How best to negotiate with lkai and which lbu to choose? Where to find time for Anja to cope with the nearness of death herself? And who is it about, when the relationship with Tomas is almost gone after years?

The situation is not mitigated by the fact that for the suppression of tumor growth and porn headaches Anje prescribed steroids, in addition to inducing permanent appetite (also Anja under nm cpe), have a severe effect on her mood and can cause and psychotic states.

The outstanding performer of the strongly and vulnerable protagonist Andrea Braein Hovigov credibly foresaw all the nuances of such a development. She endowed Anja with a slightly ironic view, which should not last forever.

Around it, with Anja’s growing submissiveness and destroying sincerity, it’s not easy, and Tomas (very tactful, controversial player Stellan Skarsgard) should sweat to Anja, even if he was much empathetic, not a sweat phenomenon. His inattention to Anja’s needs and his inability to tune in to her is as much for Anja as she could. Even when Tomas suggests that they should be accelerated before the operation, it is not the happy end of the emptiness in their relationship, but much more triggering of new tensions.

All the carambola during this increased ride eventually lead to the heroes finding a new, strong form of what they thought was lost.

In the category of film about cancer, there is a lot of melodramatic He finds it bag pin authentic, civilian first, without a superficial impression, very personal, sensitive and, in accordance with its name, also positive.

– .