There are only a few days left to discover Marlène Côtelette’s “Plastic Autopsy” exhibition at the Pavillon blanc Henri-Molina. The artist proposes the suffering body as an object of study. By borrowing the methods of medical investigations, his artistic approach responds above all to a personal therapeutic quest. Accustomed to hospital beds to the point of being described as an “expert patient” by the medical authorities, Marlène Côtelette autopsies her own course of care in order to show and understand her pain in prey to the medical profession, to others. and to herself. Everyone can recognize themselves in this exploration which leads to the knowledge of oneself and of one’s difference. The “Plastic Autopsy” exhibition in place at the Henri-Molina White Pavilion since last June will end on Saturday August 26th. FREE ENTRANCE. For all. The new 2023-2024 cultural season will begin on September 29 with a cross-exhibition, entitled “Beau jeu, mal genre” by artists Chloé Wary and Lina Neutre, on issues of gender and representation in sport.
Marlène Côtelette, visual artist
Marlène Côtelette is a visual artist and also an editor. She graduated in graphic design from the School of Fine Arts in Toulouse. In 2012, she founded the cultural association “La maison terrienne”, then the following year, the independent publishing house “Les éditions terriennes”, within which she developed various collective projects (reviews, exhibitions, events ) and which currently brings together 122 artists. After joining the artistic collective “Indélébile”, the artist develops “Getic bite”, his first plastic project, supported by the Regional Directorate of Cultural Affairs of Occitanie. Since 2020, she has been pursuing the project
“The new confiner”, a daily logbook reporting the global pandemic situation and for which she receives help from the Civil Society of Multimedia Authors in Paris.
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