Extraordinary singing recital in charge of the prestigious soprano Yolanda Auyanet and the gran pianista galduriense Juan Luis Bago, last night, in the incomparable setting of the Church of the Assumption, absolutely crowded, respecting all security measures, distance, hydro-alcoholic gel, masks and identification of the attendees for COVID 19, within the schedule of activities ‘Jódar, Cultural Summer 2.020’.
From left to right, director of the School of Music, Juan Luis Bago, parish priest, Pablo Luis Armero and Councilor for Culture, Juani Vílchez, in the delivery of the donation to Cáritas / Jódar City Council
Organized by the Municipal School of Music and Dance ‘Jesús Barroso Navarro’, with the collaboration of the Parish of La Asunción de Nuestra Señora, sponsored by the City Council of Jódar, with a donation for the benefit of Cáritas.
He public assistant welcomed with enthusiasm the whole performance, giving away with big cheers and cheers to the two interpreters.
In 2,018 and 2,019 the ‘Canta Magina Association’ organized the first two ‘Castillo de Jódar International Lyrical Concerts’, with the participation of the soprano galduriense Juani Diaz Lopez, he baritone italiano Paolo Borgognone
Repertoire
Listen to the complete performance of Yolanda Auyanet and Juan Luis Bago on Play SER
– In prayer (G. Fauré),
– Laughing the calm (W.A. Mozart),
– We praise you. From the great mass in C Minor (WA Mozart),
– Inflamed and overuse. Del Stabat Mater (G. Rossini),
– In this? Don’t be andro. Aria from the opera ‘Wally’ (A Caralini),
– I say that nothing frightens me. Aria from the opera ‘Carmen’, (G. Bizet),
– Casta Diva. Aria from the opera ‘Norma’, (V. Bellini),
–Public attending, filled the Church of La Asunción / Antonio Plaza
– You live art. Aria from the opera ‘Tosca’, (G. Puccini),
– You who vanity them. Aria from the opera ‘Don Carlo’, (G. Verdi).
– From Spain I come, from the zarzuela ‘The Jewish boy’, (P. Luna)
Yolanda Auyanet
Yolanda Auyanet began her musical and singing studies at the Music Conservatory of Las Palmas de Gran Canaria, her hometown. Later she moved to Barcelona, where she perfected her singing school at the Liceo Conservatory and later with the Polish baritone Jerzy Artyz, who continued for many years advising her in her artistic career. In Barcelona he won the 3rd prize at the “Francisco Viñas” International Competition as a young man and then the 1st prize at the Toulouse International Singing Competition (France).
Hear Statements by Yolanda Auyanet and Juan Luis Bago at the end of the recital on Play SER
The beginnings: between Spain and South America and Italy.
He made his debut in 1993 in Bari (Italy) singing the Musetta de Bohemian, and participated in the Zarzuelas Festivals of Santa Cruz de Tenerife and Las Palmas. She then assumed the role of Gilda de Rigoletto in Las Palmas and Traviata at the Teatro de la Zarzuela in Madrid, an opera that he performed shortly after in Lima (Peru), then going on to make his debut in the leading role of Lucia of Lammermoor in Bogota. In 1996 he sang an unforgettable Doña Francisquita with Alfredo Kraus at the Teatro de la Zarzuela, and a concert in which he performed with the great tenor a selection of Doña Francisquita and from Werther.
From then on, Auyanet focused his career in Italy, where he successfully enriched his repertoire by assuming numerous roles, including those of Mozart. So do all of them (Fiordiligi), The Marriage of Figaro (Susanna), and The Magic Flute (Pamina); of Donizetti Don Pasquale (Norina) y Daughter of the Regiment (Maria); from Bellini Capulets and Montecchi (Giulietta); also gave Falstaff (Nannetta); de Puccini Bohemian (Mimì) and Turandot (Liù), as well as various roles in operas such as The imaginary Socrates of Paisiello, and the Venus and Adonis de J. Blow.
Main theaters.
He came to sing since his connection to Italy in the most important operatic centers of that country and the neighboring ones: at the Carlo Felice Theater in Genoa, at the Regio Theater in Torino, at the Massimo Theater in Palermo, at the Philharmonic Theater in Verona, at the Teatro Comunale in Bologna, at the Teatro La Fenice in Venice, at the Teatro Regio in Parma, at the Teatro dell’Opera Giocosa in Savona, at the Teatro Verdi in Pisa, at the Teatro Goldoni in Livorno, at the Opera of Nizza, at the Vittorio Emanuele Theater in Messina, at the Stadtteather von St. Gallen (Switzerland), at the Vienna Konzerthouse, at the Maderata Sferistery, and in 2002 at the Verona Arena with the opera Carmen by Bizet (Micaela) directed on stage by Franco Zefirelli and musically by Alain Lombard.
More repertoire, with forays into the Hispanic lyric.
Auyanet’s performances in recent times are characterized by a constant foray into new repertoires, including numerous recoveries of Spanish lyrical-theatrical productions of the past. Just to refer to some outstanding titles, we will cite: A rare thing of Vicente Martín y Soler; The manger by Pablo Casals; Donna Ana and Don Giovanni at the Villamarta Theater in Jerez and later in Córdoba; Donna Fiorilla of The Turk in Italy in Las Palmas de Gran Canaria, at the Teatro Regio in Torino and at the Hamburg Opera; Nedda from Pagliacci and later on Bohemian in Las Palmas; Doña Francisquita and St. Gallen; Carmen and Savona; The Marriage of Figaro in Jerez; three functions of The Traviata within the framework of the Tenerife Opera Festival; participation in The resurrection by Haendel edited by López Banzo for the Mozart Festival in La Coruña; The bat in Las Palmas; Idomeneo In sevilla; The diamonds in the crown at the Teatro de la Zarzuela in Madrid; Death of the Cup of Manuel García in Seville; Luisa Fernanda in Oviedo, Madrid and Seville; Turandot (Liú) in Jerez and Las Palmas, where he has also sung The barberillo of Lavapiés of Barbers; I Puritani in Bologna; So do all of them in Palermo; Christopher Columbus by Ramón Carnicer in the Maestranza in Seville; concerts in Tokyo, etc.
Among the contracts assumed until 2013 is the recovery of the Spanish baroque zarzuela The wind is the joy of love by José de Nebra, which is offered at the Teatro de La Zarzuela in Madrid in May 2013; the role of Desdemona from Othello in Beijing; performance and concert in Baden Baden, etc.
Upcoming performances
Christmas Concert (November) and Luisa Fernanda (January and February) at the Teatro de la Zarzuela in Madrid, Norma (March) at the Teatro Real.
Juan Luis Bago
He was born in Jódar (Jaén) in 1981. He began his musical studies at the age of 13 at the María de Molina de Úbeda Conservatory.
Later he moved to Granada to continue his piano studies at the Victoria Eugenia Conservatory with Javier Herreros.
It is in this city where he has a meeting with the Bulgarian pianist Ludmil Angelov with whom he begins to receive classes periodically.
In 2000 he received a scholarship from the Accademia Chigianna in Siena (Italy) to receive classes from Maestro Joaquín Achúcarro and by the Autonomous University of Madrid to take the summer courses in San Lorenzo del Escorial.
He finished his higher studies at the Real Conservatorio Superior de Música de Madrid under the direction of Ana Guijarro.
His interest in orchestral music led him to participate in the Wienermeisterkurs (Vienna) with Jörg Bienharce and Salvador Mas Conde.
He is currently a piano teacher at the Mater Salvatoris College.
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