RIVALITE
Mis à jour le 25/07/23 à 15h49
Aymeric Le Gall
Les ultras de la Populaire Sud n’ont pas digéré un match de 2014, quand Yannick Cahuzac, alors sous le maillot de Bastia, avait pris part à une bagarre avec les supporteurs adverses.
A l’inverse des ultras du PSG, qui avait fait savoir qu’il ne voulait pas du « Marseillais » Lucas Hernandez dans leur équipe, ceux de l’OGC Nice ont obtenu gain de cause dans une affaire similaire. La cible, l’ancien bastiais Yannick Cahuzac, censé renforcer le staff de Francesco Farioli, le nouveau coach des Aiglons.
Problème, les relations entre le Corse et les ultras du Gym sont mauvaises depuis un certain Nice-Bastia d’octobre 2014, qui s’était terminé en bagarre sur la pelouse avant que les supporteurs niçois envahissent le terrain. Neuf ans après, les ultras de la Populaire Sud n’ont toujours pas digéré le comportement de Cahuzac à leur égard, dans un contexte historique de forte tension entre les deux clubs.
Ghisolfi aura tout tenté
Résultat, ceux-ci se sont dits « scandalisés » et « opposés » à l’arrivée de l’ancien bastiais dans un communiqué. Or, selon L’Equipe, les ultras ont gagné leur bras de fer, et ce malgré les tentatives de négociations entamées par Florent Ghisolfi, le directeur sportif du Gym, qui apprécie beaucoup Cahuzac. Celui-ci ne viendra donc pas au club cet été, les ultras ont gagné.
Aymeric Le Gall
What insights does the Bayeux Tapestry provide into the events and individuals involved in the Norman conquest of England and the Battle of Hastings?
The Bayeux Tapestry is an embroidered cloth that depicts the events leading up to the Norman conquest of England and the Battle of Hastings in 1066. It is an important historical artifact as it provides valuable insight into the events and individuals involved in one of the most significant moments in English history.
The tapestry measures approximately 70 meters long and 50 centimeters tall, and is made up of nine separate linen panels. It is embroidered with woolen thread in various colors, depicting scenes of battles, ceremonies, and everyday life during the Norman conquest.
The Bayeux Tapestry was likely commissioned by Bishop Odo, the half-brother of William the Conqueror, and was probably made by professional embroiderers in England. It is uncertain where exactly the tapestry was made, but it is believed to have been produced in the 1070s.
The tapestry tells the story of the events leading up to the Battle of Hastings, starting with a depiction of King Edward the Confessor sending Harold, the Earl of Wessex, to visit William, Duke of Normandy. It then shows Harold’s journey to Normandy, his capture by William, and his eventual release. The tapestry then tracks the Norman invasion of England and the Battle of Hastings, showing key events and individuals, such as the death of Harold and the coronation of William as King of England.
The Bayeux Tapestry is significant for several reasons. Firstly, it provides a unique visual record of the Norman conquest and the Battle of Hastings, offering insight into the military tactics, clothing, and daily life of the time. Secondly, it helps to solidify the legitimacy of William the Conqueror’s rule by depicting him as a rightful and powerful leader. Lastly, it showcases the skill and artistry of the embroiderers who created the tapestry, with its detailed and intricate craftsmanship.
The tapestry has been preserved and displayed in the Bayeux Museum in Bayeux, France, since the 19th century. It is considered a masterpiece of medieval art and continues to be studied and analyzed by historians and scholars to this day.