Within the framework of the recovery of the work Power at the Payró Theater, the actor and director Norman Briski speak in AM 750 about his career and Argentine situation.
“Hey Power It is more valid than all the versions we have done in recent years. This version actually has more impact” said the distinguished translator in Bell at 750.
Likewise, he said his direction changes through rehearsals. “It’s very likely that if you do theater in verse you’ll have no choice but to respect that music. But today, in the theater, even doing Shakespeare, you’re going to break the rhyme that locks you in ways in time“, said.
“We change all our predictions. The printing of the rehearsals is the most beautiful thing in the theater” he said.
In addition, he assured that he makes things that seem “powerful” for the actors and for the play, and that it is the audience who decides whether they like it or not. “I do not fit the market. “I don’t make a product for the shelves,” Briski said.
Last March, the actor and director, with a long career in film, theater and television, had call for actors, actresses and various artists from other branches to cross the streets “to face this social, political, economic and cultural moment.”
Asked about this, Briski said: “I believe that street theater today is the platform that is most needed. There are two types of theater or artistic expression: one that is desirable and one that is out of necessity. Today the idea of the label is valid, and in general the label makes an artist uncomfortable,” he said.
“Inspirational theaterthat in the street, that people are listening, that people are encouraged to participate. This theater is the most useful today in Argentina” he concluded.
2024-04-30 19:09:13
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