News OF THE Night. Ieva Murniece. Vija Artmane preferred her roles

Lifestyle is total of endless surprises: below it beats you to the level of blood, listed here it carefully caresses you again. There are things we keep in mind with good pleasure, but there are things we really don’t even want to mention, but it truly is not possible to forget about. Numerous inventive folks could say this about their life and film and theater actress Ieva Mūrniece is no exception. She for the initially time took portion in film auditions at the age of 14, but for the position of Liena in the movie “Frost in Spring” she was regarded as a youthful lady. On a different celebration she – throughout the screenings of the movie “The story of the Latvian fusiliers” – she was verified as the future actress. Just about anything could have happened, but Ieva Mūrniece refused due to the fact she experienced to choose the closing tests.

When was the initially time you acquired permitted for a movie and shot it?

When I was 18. Director Varis Krūmiņš shot the movie “Echo” centered on the motifs from Jānis Jaunsudrabiņš trilogy “Aija”. I got the job of Ieviņa. At that time, being fairly youthful, I fulfilled for the very first time on the established already skilled actors Dzidra Ritenberg and Valdemar Zandberg. Shortly soon after Varis Krūmiņš grew to become my partner, we lived in Riga. We have two children, Mārtiņš and Ingus, but the relationship was not destined to last lengthy. I also experienced to believe about continuing my schooling. From 1959 to 1962 I examined at the 3rd acting studio of the Daile Theater, which we accomplished together with Astrid Kairis, Olga Dregi, Helga Danzberg, Lidija Pupuri. The boys bundled Juris Strenga, Uldis Vazdiks, Leons Krivāns and other folks. Even so, when I completed my research, there was no home for me in the Riga theaters.

This was followed by the taking pictures of the Estonian film “Sunlight and Rain” and the film “Northern Tale” by the film studio “Mosfilm”, where by I performed the principal position. For the to start with time in my existence, I did not even audition. Taken quickly. My associate was the famous actor Oleg Strizhenov. All this occurred even right before the screenings of the movie “Swamp Wader”.

This will be my problem. I admit, not a solitary spectator is ready for the autumn, when “Swamp Wader “is intended to exhibit the archeology of the film.

It could be. When film critic Daira Āboliņa invited me to talk about the film making approach, I refused to have anything superior to don’t forget. To this she replied that now she can notify every little thing as it was. The only excellent detail is that the photograph and movie proofs have been preserved.

I was 25 when I was invited to film auditions. Many actresses rehearsed for the guide position: Ilzi Vazdika, Astrid Kairis, Vija Artmani and myself. I was preferred from all of them. Uldis Pūcītis, who performed the job of Edgar, was explained to that he was supposed to engage in with Ieva Mūrnieci. I wrote my resignation letter to the Liepāja theater, wherever I was a team actress at the time, so that I could dedicate myself to filming with all my heart. But then, just one fine day, Varis, who was working at the Riga movie studio at the time, arrived house from function and claimed that Vija Artmane, who was 37, experienced been permitted for the part of Kristine.

How come?

Artman needed this position so badly that he named Moscow, wherever he experienced a powerful again. Could the director have objected? No. When the movie was shot, I experienced a tough time observing it. What can I say: it is some thing that has been with me all my existence. For a extended time I did not fulfill Artmani himself any where, until eventually we fulfilled on the set of the documentary film “Friči e le bionde” directed by Askold Saulīš. And what? Anything. What is actually the stage of chatting about old points. That was not the only time Vija Artman crossed my route.

Wasn’t he the only one?

In 1967, the young director Viktors Georgiev shot a two-aspect film “Robust in Spirit” in the Sverdlovsk movie studio, in which Gunars Cilinskis performed the major position, or the scout Kuznetsov. I was authorised for the function of Mrs Lidija Lisovska, who would be the correct opposite of Kristina from Blaumaņi. I gained a telegram telling me that I had been accepted for this job, but two weeks handed and I gained a new telegram declaring that Vija Artmane experienced been accepted for the purpose of Lisovska.

Two large failures in such a small time. How did you get in excess of them?

I labored. I was invited by the Gorky movie studio in Moscow to shoot in the opera “Struck Hell”, then the Uzbek movie studio for the film “Sons of the Fatherland”. In each movies I experienced to participate in the role of a German female. On the other hand, in the Minsk movie studio, we shot with each other with Inta Buranas and the swordsmen in the movie “Make a battle”. There was also a function in a Georgian film studio, in which I played a Swiss who experienced to shoot a equipment gun. The Georgians welcomed me quite warmly, but then the area current market was fully robbed. I was also invited by the Odessa movie studio in the film “The Very last Scenario of Commissioner Berlach” in 1972, the place I shot with Konstantin Simanov.

I waited for my 40th birthday and was invited to shoot in two Latvian films. It was the movie “Night Variant” directed by Dzidra Ritenberg, where my classmate Astrida Kairis played the direct role, whilst I played the position of the trainer Adelaide. The other is the movie “Tom the Wolf” directed by Eric Lāčas. Biju Guna – the spouse of Tom, the character performed by Gunars Cilinskis. In the midst of filming, the middle kid Ingus was born. I attended preparatory programs at the Latvian Academy of Arts. I learned to weave since I was interested in textile artwork.

When the filming and lively lifetime of an actress ended, alongside one another with my 2nd husband Haraldas Ullmans, we started off developing poetry programs and reciting poetry. I have had practical experience given that faculty, when I had to recite poems about Stalin, and then also in the Liepāja theater. Father [Liepājas teātra galvenais režisors Nikolajs Mūrnieks] I have normally been presented a stash of texts. When I remaining the Liepaja theater, we organized a poetry program by Rainis and Aspazijas “Son of the solar and daughter of the moon” for my 50th anniversary. Alongside one another with my partner, we have developed about 9 plans: poetry systems by Erika Ādamsons and Mirdza Ķempe, Āria Elksne, Olga Lisovska, Ojāras Vācieš and other authors. Kindergartens and college students really loved the Ojāras Vācieš kid’s poetry software we designed. For a prolonged time we labored as volunteers at the Raina and Aspazija museum in Riga, also at the poets’ summertime house in Majoros and at the Aspazija dwelling in Dubulti. We have experienced poetry readings, executed on our possess, and I have also celebrated several of my anniversaries there.

Is it real that you ended up shut close friends with the poet Olga Lisovska?

We achieved in 1980 and built a near friendship. When we cooked lunch at her home in Jaunpiebalga, which Olga failed to like to do, or she weed the back garden, she wrote poetry. We normally experienced something to chat about. Olga at the time reported that my spouse and I are almost related to her. When she still left, I realized how a great deal I miss out on Olga. I beloved throwing functions, but now there is practically nothing left … Numerous good friends and colleagues are dead. My coronary heart however aches for Helga Danzberg. I was at her funeral, there is a photo of Helga’s youth. I kept looking at him and I could only cry due to the fact I retained remembering the fantastic occasions we experienced collectively.

You no for a longer time host get-togethers, but what retains you chaotic now?

I am a excellent reader. This goes back again to my childhood, when I was also looking through underneath the addresses with a battery in my hand. My father instructed me I devoured these guides. Now I generally get examining product from the Iļguciems library, mainly because there is genuinely nowhere to set it at home. I truly like to paint. I turned to this career, encouraged by my eldest son Mārtiņš. In the warm months of the calendar year we go to Renda, in which my husband Harald’s home is 10 kilometers from the parish center. It is in the forest, close to the lake. There is no electrical power in the residence, so on August evenings, when it will get dark previously, I won’t be able to examine there anymore. Harald likes earthworks, but I no for a longer period need them because of to my health and fitness. We have two bunnies who consume no matter what they want. We set a fence close to the backyard, because there is no shortage of deer. In the commencing, our property was on a regular basis robbed.

I also have a assets in Liepāja, an old dwelling by the sea. The grandchildren line up for it.

But, back again to the party, the truth is that in a few yrs my spouse and I will have our golden wedding ceremony. We however have to stay right up until then.

How do you feel at this time when hostilities are having position fairly close by?

Terrible. Every day I read through the news, I enjoy “Panorama”. Maybe it is too a great deal, but I are unable to support it. When it all started out, my youngest son Uldis joined the National Guard, was sworn in and is planning for camp in August. Of system, he reminds me of my childhood, when we lived on Uliha Avenue in Liepāja and experienced to hide in a shelter. In individuals moments I stated: “We start off yet again!” I am by now laughing that I was born two times right before Latvia misplaced its independence. It was challenging, in the slide of 1944 we went to the parish of Saka as refugees. The parents considered about what to do future, until finally the father reported that people of us who are in this article will not be in any other nation. Mothers [aktrise un režisore Irmgarde Mitrēvice] Sister Velta’s household emigrated, we stayed. In 1947 his brother Jānis Mūrnieks was born. We lived very modestly.

You talk to me how I truly feel. Odd timing – interviews to be specified. For Dair Aboliņa and now for you. I felt deserted and overlooked for a extended time, but not any more. It is nice that it is.

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