Boosted by the recent opening of new rooms at MoMA, the New York art scene is vibrant from north to south of the island. We cross bridges and tunnels to admire it.
From changing institutions to innovative places, the New York culture circuit takes sideways. Treasure hunt.
The new MoMa shakes up the codes
In this autumn all eyes are on the 53e Rue to discover the “new MoMA”, and its very recent horizontal extension. We haven’t seen anything like it in Manhattan, the vertical, in years. By nibbling on the old Art Folk Museum, the MoMA has acquired new rooms over nearly 4000 m2, thanks to the architectural firm Diller Scofidio + Renfro, for 450 million dollars. Bigger, brighter, the ambitious museum turns everything upside down, to make your head spin.
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Exit the traditional chronology, make way for thematic rooms that surprise by the unexpected confrontation of founding works such as the very iconic Ladies of Avignon (1907) by Picasso with a canvas by African-American artist Faith Ringgold African Americans Series #20: Die (1967), evoking a colorful race riot. A rapprochement that sparks debate in New York’s artistic landerneau. At MoMA, all media: painting, video, photo, design, installations… intersect to tell modern and contemporary art to the widest possible audience. Interdisciplinarity – which can sometimes resemble zapping – applies literally even in the toilets … now offering three possibilities: man, woman and not gender. Quite a symbol. www.moma.org
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The Bronx is bourgeois
The Bronx hasn’t been burning for years. He even got bourgeois. After Brooklyn, gentrification climbs north of Manhattan. 40 minutes by metro from Grand Central, we discover beautiful murals left in plain view by the best street artists of recent years. An open-air urban museum that you can visit with your nose in the air to admire the exceptional red brick architecture. An itinerary that can be done with a French New York Off Road guide, who tries to show you places little known to tourists. www.newyorkoffroad.com
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From the street to the picture rails, at the Bronx Museum, graffiti was elevated to the rank of a genre in its own right by Henry Chalfant, who has been photographing the pioneers of graffiti since the 1970s. (until March 8). While Alvin Baltrop (1948-2004), a former African-American taxi driver, leaves a poignant photographic testimony of the gay districts of the Bronx. Until February 9. www.bronxmuseum.org
The Shed unfolds
With its accordion roof, the art center opened since last spring is one of the curiosities of the Hudson Yards neighborhood in West Manhattan. Designed like the MoMA by architects Diller Scofidio + Renfro, the Shed was designed to be a place open to all disciplines, from dance to musical performances. On the model of the Center Pompidou, the Shed is a large and open place with its café, its bookstore (which winks at French culture, from Duras to Gainsbourg) and its auditorium which hosts dance in particular.
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On the upper floors, generous exhibition rooms show “Agnes Denes: Absolutes and Intermediates”. A very eloquent retrospective of this committed land art artist, born in 1938 in Budapest who grew up in the United States. Through drawings, videos and installations, we can see the precocity of her commitment to the planet from the end of the 1970s. Agnes Denes went so far as to plant a one hectare wheat field at the foot of the Twin Towers in 1982 , to place nature in the urban context. A beautiful presentation that is both aesthetic and philosophical. Until March 22. 545 W 30th St. www.theshed.org
The Vessel, a ship to admire the Hudson
Very close to the Shed, this unidentified giant sculpture looks like a 3D object taken out of a video game. Designed by British designer Thomas Heatherwick, the Hudson Yards Vessel, very close to High Line Park, this oval V, a sort of complex honeycomb, consists of a set of connected stairs to each other by platforms. The bravest climb the 154 staircases interconnected by 2,500 steps, for a spectacular view of the river!climbvessel.com