Since the first podcasts and webdocumentaries in the early 2000s, audiovisual and multimedia creation has taken hold of digital tools to make them so many areas of experimentation – interactive narrations on the web and mobile screens, geolocated sound experiences and creations in binaural sound, scripted 3D reconstructions or even virtual or augmented reality immersive devices.
If the works produced in recent years are numerous and diversified, they remain fairly confidential outside the circle of professionals, for lack of well-identified places to be presented to the public. The Library was very early aware of the importance of safeguarding these innovative productions and made them a collection axis from the beginning of the 2010s. To make them better known, it launched a cycle dedicated to new writings and proposed formats of various encounters – focus on creators, round tables on a specific genre or even participatory sessions.
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