/ world today news/ I think that Borsosh did the maximum for NDK and has talent for it. He even did wonders because he is energetic and a player. Which is not hard to do with foreign money and a seductive nature.
He bought influence, but due to innate taste, he did it through artists, not football players, which is not a qualitative difference.
It is a fact that he transformed the NDK.
The fact is that he did it to steal and that the money ran out at some point. Just as money ran out under socialism.
I have no illusions that if, instead of Borsosh, it was Granitsky who would generously distribute money to Iskra Radeva, Misho Belchev, Anton Neznamsi, who from time to time led the entire communist upheaval with Svetlin Rusev – all the current defenders of Borsosh would have set fire to the NDK and himself with rage, and his present Communist opponents to say that this is the true culture.
This is a complete shock to me.
There is no culture either in one or the other, least of all in NDK.
This is a stupid, culturally unsalvageable building that I go to under compulsion.
The only good management is to hold congress and party meetings there. And to make good money from it, which requires a completely different style and worldview. Pros.
The Borshosh type is completely different – Mr. for a day, which is what I like about him. Like all wealthy Bulgarian dummies, whose pockets have been surprisingly filled by fate while taking away even a little of their mind, he rushes to steal through the culture. Before reaching the NDK, he stole from Marius Kurkinski and Kamen Donev.
Taste.
At the same time, he got rich from business with Vasil Bozhkov, Antoine Nikolov and Delyan Peevski. He came out of nowhere, which means he has talent.
The problem of these people is that at one point they believe themselves and try to institutionalize their glamorous Bulgarian luck and randomness.
Borshosh was Lyudmila Zhivkova for two years. And I get it.
I cannot understand those who jump to the embrasure to defend him when it is clear that he is a pyramid that used them for cover, glossy, fancy and artistic alibi etc. They are not beholden to him. They did not take his money for their work and art, but state money, i.e. to all of us. They took advantage of the moment, but they did not realize that he was not doing them a favor, but they were doing him a favor.
I detest Zhivkov, communism and everything related to this model of government. Not only out of ambition, because it is beneath my dignity and an aesthetic shock, but also because of deep convictions, which I will not express now.
What rubbed me off about the protesters was their communist reaction to the case. They are defending a crook who is handing them handouts to keep his power. It scandalizes me, nothing else.
By the way, I can write a much better apology for Borshosh than that he removed Hristo Drumev’s underpants and replaced them with Vanya Shtereva’s underpants, as well as all the platitudes in the style of “NDK is no longer the same”.
The NPC will always be the same.
It is a terrible architectural creation that does not pass for culture, because of the fundamental divergence between idea and ontology, and above all with the total divergence with aesthetics.
NDK is ugly. Both in spirit and in form. A swan cannot be born from it, nor can a feather be plucked from it. It’s forced labor. I’m sure even his most sincere defenders know that.
NDK is Kremikovci of culture.
A proletarian product.
A lathe of the socialist imagination.
A place that cannot attract you with spirit.
A material remnant of the ambition of the Pravesh family, which dictated everything in Bulgaria for 35 years.
Todor Zhivkov is a phenomenon of the communist dictatorship of the peasant type, which is the Bulgarian context. His daughter has understood that there are other worlds beyond Pravets, and has given her all at her first encounter with spirituality. Turban, Roerich and others. As a result, NDK – social design of a flying fruit tree has appeared in the center of Sofia. The futuristic horizon of the architects of that time.
After all, Brussels is full of such bad taste.
Here, however, the NDK is an occult, communist and talentless place, built for the ambition of the complex and delusional daughter of the village dictator.
No sane person’s legs would take him there. It is as much a spiritual center of attraction as the escalators of TSUM were in the time of the soca.
Grandma Lyudmila in the center of Sofia. And she, by the way, as grandmother Vanga, is portrayed without talent by Svetlin Rusev.
I experienced it being defended by people with claims of “urbanity”. Capital Light: Tribute to Lyudmila Zhivkova. Razgrad snobbery.
NDK is a place for talentless EU presidencies, congresses, discussions about the role of pederasts and lesbians in the modern world (in the past – of women and youth), but not for theater, poetry, music, etc.
Borsos is a talented personification of this post-communist mystification. That NDCasanova also came out.
To die of kitsch. Kitsch, kitsch, kitsch and nothing else. No culture, no illusions about the beautiful, the good and the eternal. No “do something anyway”.
If only I had your fastidiousness, smart and beautiful.
I really like him because he’s clear to me and I understand him, but the people I liked yesterday? – I do not know.
And that’s my only motive for burning on this subject.
#NDK #Kremikovci #culture
