According to the “China Film Box Office” app of the National Film Specialty Office, the total box office of mainland China movies in 2020 is 20.274 billion yuan, with 549 million people watching movies. How much have you contributed?In 2020, there will be 32 movies with a box office of over 100 million in mainland China, and 4 movies over a billion. Among them, “Eight Bai” won the annual box office championship with 3.109 billion, “Me and My Hometown” was the runner-up with 2.829 billion, and “Jiang Ziya” was the third runner-up with 1.603 billion.
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In response to the annual box office performance of more than 20 billion yuan, Guohai Securities Media analyst Zhu Zhu pointed out in an interview with reporters that the hard-won achievement of such box office results also highlights the continuous improvement of the quality of domestic content.
“Crazy Movie Circle” screenwriter and writer Mo Zheng also told reporters from China-Singapore Jingwei that during the National Day period, several movies had a good box office, and the annual box office exceeded 20 billion, which was not satisfactory. In general, the Chinese film market still has considerable potential, and it is indeed progressing year by year. We should not be ignorant of ourselves, but phenomena such as plagiarism, follow suit, box office sales, and single subject matter are also very serious and must attract the attention of filmmakers. .
In 2020, although “Yai Hundred” is a big box office, the performance of Huayi Brothers, the producer of “Year Hundred”, is still not optimistic. The third quarter report shows that from January to September 2020, Huayi Brothers achieved revenue of 1.107 billion yuan, a year-on-year decrease of 31.51%. The net profit attributable to shareholders of listed companies was a loss of 326 million yuan, an increase of 50.03% over the same period in 2019.
Huayi Brothers stated in the third quarterly report that the cumulative net profit from the beginning of the year to the end of the next reporting period is expected to vary significantly compared with the same period of the previous year. The impact of the epidemic has caused the overall slowdown in the business development of the film and television industry, and the company’s film and theater revenue The proportion is relatively large, so the performance recovery still needs a long period of time.
Zhu Zhu believes that the loss of some theater companies is expected, because the external event environment is uncontrollable, and the leading companies are increasing their main business through fixed increase and other methods to achieve an increase in market share in the passive reshuffle of the industry. The efficiency of active epidemic prevention in various regions is very high. The financial data of cinemas and theaters is expected to achieve a large improvement compared with the previous month and year-on-year. Short-term fluctuations in the local epidemic will not change the financial data of the theaters sector.
Mo Zheng said that when film and television companies survive the competition in the market, the magic weapon is to insist on producing good works. Otherwise, even if there is no epidemic, they will sooner or later leave the rapidly changing and competitive market. At present, market producers should avoid large-cost movies with too long production cycles, and can explore more small-cost, fast-returning, story-oriented and topical film and television works.
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