Nancy Ajram Releases New song “Table of My Life Najma” Amidst Controversy Over Song Ownership
Lebanese superstar Nancy Ajram has recently released her latest single, “Table of My Life Najma,” through various music platforms. The song, wich marks the final composition of the late Mohamed Rahim, features lyrics by poet Hani Abdel Karim and music distribution by Alexander Mesikian. This release comes amidst a brewing controversy over song ownership, sparked by comments from veteran artist Taroub.
The New Release: A Tribute to Mohamed Rahim
Table of Contents
- The New Release: A Tribute to Mohamed Rahim
- Taroub’s critique: A call for recognition
- A Misunderstanding or Oversight?
- A Heartfelt Tribute to Nermin El-Fiqi
- Taroub’s Legacy in arab Music
- Key Points Summary
- Final Thoughts
- Interview: Exploring the Latest Music Release and Controversy
- editor: Can you tell us about the new release “Table of My Life Najma”?
- Editor: There’s been some controversy surrounding this release. Can you elaborate on that?
- editor: Did Taroub suggest this was a deliberate oversight?
- Editor: Taroub also paid tribute to another artist in the same interview, didn’t she?
- Editor: How meaningful is Taroub’s legacy in Arab music?
- Editor: What are the key takeaways from this conversation?
“Table of My Life Najma” is a poignant tribute to the late composer Mohamed Rahim, whose melodies have left an indelible mark on the Arab music scene.The song’s lyrics, penned by Hani Abdel Karim, weave a narrative of love and nostalgia, while Alexander Mesikian’s music distribution adds a modern touch to the timeless composition. Nancy Ajram’s rendition has been met with widespread acclaim, further cementing her status as one of the region’s most beloved artists.
Taroub’s critique: A call for recognition
However, the release has not been without its share of controversy. Taroub, a renowned artist from the 1960s, recently expressed her disapproval during an interview with Mona Al-Shazly on the program “With You Mona Al-Shazly,” broadcast on the “ON” screen. Taroub criticized Nancy Ajram for performing her famous song “Shinianay” without acknowledging its original artist or composer.
Taroub emphasized that while she does not oppose artists reinterpreting her work, she believes it is indeed essential to give credit where it is due. “At least say the name of the artist who sang it and the composer… this is the least need of the artist,” she stated. She further explained, “Nancy took the song (Xinayi), as it is with words and distribution, and it was born with a new identity, and this is good, but the reference to the original is necesary.”
A Misunderstanding or Oversight?
When Mona Al-shazly suggested that Nancy Ajram might not have intended to overlook the song’s origins and could have mistaken it for a heritage piece due to its long-standing popularity, Taroub acknowledged the possibility. “It is really possible, and this is something that happens,” she replied, showing a degree of understanding.
A Heartfelt Tribute to Nermin El-Fiqi
In the same interview, Taroub took a moment to praise artist Nermin El-fiqi, who had previously expressed her admiration for Taroub’s song “Siti Ya Khattara” on the same program. Taroub shared, “I am happy and simple with her words, and by saying from my heart, my love, she is an artist and a person in the full sense of the word. Although we did not meet, but the souls met.” She concluded with a heartfelt message of love and pride, appreciating the recognition from newer generations of artists.
Taroub’s Legacy in arab Music
Taroub, one of the brightest stars of the 1960s, has collaborated with some of the most prominent names in cinema and music. Her contributions to the industry have left a lasting legacy, and her recent comments highlight the importance of preserving the history and origins of musical works.
Key Points Summary
| Aspect | Details |
|————————–|—————————————————————————–|
| New Release | “Table of My Life Najma” by Nancy ajram |
| Composer | Late Mohamed rahim |
| Lyricist | Hani Abdel Karim |
| Music Distribution | alexander Mesikian |
| Controversy | Taroub’s critique of nancy Ajram’s performance of “Shinianay” |
| taroub’s Message | Call for recognition of original artists and composers |
| Tribute to Nermin | Taroub’s gratitude for Nermin El-Fiqi’s admiration of her work |
Final Thoughts
Nancy Ajram’s latest release,”table of My Life Najma,” is a testament to her enduring talent and ability to breathe new life into classic compositions. However, the ongoing conversation about song ownership and recognition, as highlighted by Taroub, serves as a reminder of the importance of honoring the origins of musical works. As the Arab music scene continues to evolve, it is crucial to celebrate both the new and the old, ensuring that the contributions of past artists are never forgotten.
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Interview: Exploring the Latest Music Release and Controversy
editor: Can you tell us about the new release “Table of My Life Najma”?
Guest: Certainly! “Table of My Life Najma” is a poignant tribute to the late composer Mohamed Rahim, whose work has left an indelible mark on the Arab music scene. The song features heartfelt lyrics by hani Abdel Karim, weaving a narrative of love and nostalgia. The music distribution by Alexander Mesikian adds a modern touch to this timeless piece. Nancy Ajram’s rendition has been widely praised, further solidifying her status as one of the region’s most beloved artists.
Editor: There’s been some controversy surrounding this release. Can you elaborate on that?
Guest: Yes, the release has sparked a debate over song ownership. Renowned artist Taroub, a veteran of the 1960s, recently criticized Nancy Ajram for performing her famous song “Shinianay” without acknowledging its original artist or composer.During an interview wiht Mona Al-Shazly on the program “With You Mona Al-Shazly,” Taroub expressed her disapproval, emphasizing the importance of giving credit to the original creators. She stated, “At least say the name of the artist who sang it and the composer… this is the least need of the artist.”
editor: Did Taroub suggest this was a deliberate oversight?
Guest: Not necessarily. When Mona Al-Shazly suggested that Nancy Ajram might have mistaken “Shinianay” for a heritage piece due to its long-standing popularity, Taroub acknowledged the possibility. She replied, “It is really possible, and this is somthing that happens,” showing a degree of understanding while still advocating for proper recognition.
Editor: Taroub also paid tribute to another artist in the same interview, didn’t she?
Guest: Yes, she did. Taroub took a moment to praise Nermin El-Fiqi, who had previously expressed admiration for Taroub’s song “Siti Ya Khattara” on the same program. Taroub shared,“I am happy and simple with her words,and by saying from my heart,my love,she is an artist and a person in the full sense of the word. Although we did not meet, the souls met.” She concluded with a heartfelt message of love and pride, appreciating the recognition from newer generations of artists.
Editor: How meaningful is Taroub’s legacy in Arab music?
Guest: Taroub is one of the brightest stars of the 1960s and has collaborated with some of the most prominent names in cinema and music. Her contributions have left a lasting legacy, and her recent comments highlight the importance of preserving the history and origins of musical works. She’s a symbol of an era that continues to inspire and influence the industry today.
Editor: What are the key takeaways from this conversation?
Guest: Nancy Ajram
