Admittedly: In the expression “funeral service” the word “celebration” contained therein lacks the association with “happiness” that it normally arouses. The term “mass celebration”, however, can be assumed to mean that this can also be a happy gathering of a religious community. One that is even celebrated in some circles with correspondingly joyful gospel music. But the sublime organ music, which mostly accompanies masses in this country, has something solemn about it, which sometimes underlines the happy aspects of a church service. In the St. Margaret’s Church in Munich, it has often happened that the Catholic community present thanked the church musicians for their particularly inspiring performances with euphoric applause at the end of a service. The organist and conductor Christian Bischof, for example, who has been enriching musical life in the Sendling community with exciting church concerts since 2013. Again and again, there was fruitful cooperation with the no less musical Protestant community in Sendling, whose Church of the Assumption is regularly used as a recording studio for good reasons.
The high point of such musical coexistence in this Munich district also includes the Sendlinger Organ Days, where visitors to both churches, the Protestant Church of the Assumption and the Catholic Church of St. Margaret, meet in music that the Persian poet Rumi in the Middle Ages called the ” Creak of the Gates of Heaven “had described:” I want to sing like birds sing, who don’t care who listens or who could think what, “wrote Rumi. Eight hundred years later, the French organist Olivier Messiaen tried to note the song of the birds and incorporate it into his compositions.