Mohamed Sobhi Opens Up About His Relationship with Abla Kamel and Their Iconic Collaboration in “Point of View”
In a candid interview on the Spot Light program aired on Echo Al-Balad channel, the legendary artist Mohamed Sobhi shed light on his professional and personal relationship with the esteemed actress Abla Kamel. The discussion centered around their collaboration in the 1989 play Point of View, a production that remains a cornerstone of Egyptian theater.
Sobhi, who directed, produced, and starred in the play, addressed rumors that had circulated for years about his treatment of Kamel during the production. “they said that I tortured Abla Kamel, and a deduction for her every day,” he revealed. “He was angry that she covered me, despite the fact that I am the director, producer, and hero, so I will answer an actress to fail. I love her and love me, and our relationship was very good.”
The play, written by the renowned playwright Lenin El-ramly, is a dark comedy that explores the lives of a group of blind individuals living in a neglected, hellish environment. The story critiques societal indifference and the exploitation of vulnerable communities, with Sobhi playing the role of the commission head who disregards their plight. Alongside Sobhi and Kamel, the production featured a stellar cast, including Hana Al-Shorbaji, Mahmoud Abu Zaid, Shaban Hussein, and Azza Labib.
Sobhi’s reflections on his collaboration with Kamel offer a rare glimpse into the dynamics of Egyptian theater during the late 1980s.Their partnership, marked by mutual respect and admiration, has left an indelible mark on the industry.
The interview also touched on Sobhi’s recent work, including his latest play, Faris Reveals the Hidden, which premiered at the Sinbel City Theater to overwhelming audience acclaim.
For those interested in exploring more about the lives and careers of these iconic figures, you can delve deeper into Abla Kamel’s journey from her early days in theater to her impactful roles in Egyptian cinema here.
| Key Details | Information |
|——————|—————–|
| Play | Point of View |
| Year | 1989 |
| Writer | Lenin El-Ramly |
| Cast | Mohamed Sobhi,abla Kamel,Hana Al-Shorbaji,Mahmoud Abu Zaid,Shaban Hussein,Azza Labib |
| Theme | Social critique of neglect and exploitation |
Sobhi’s revelations not only highlight the enduring legacy of Point of View but also underscore the importance of collaboration and mutual respect in the arts. As audiences continue to celebrate his contributions to theater, his words serve as a reminder of the power of storytelling to challenge societal norms and inspire change.
For more insights into the world of Egyptian theater and cinema, explore related stories such as hamada Hilal’s community initiatives and Alaa Zeinhom’s reflections on his career here and here.
Mohamed Sobhi opens Up About His Relationship with Abla Kamel and Their Iconic Collaboration in “Point of View”
Table of Contents
In a candid interview on the Spot Light program aired on Echo Al-Balad channel, the legendary artist Mohamed Sobhi shed light on his professional and personal relationship with the esteemed actress Abla Kamel. The discussion centered around their collaboration in the 1989 play Point of View, a production that remains a cornerstone of Egyptian theater. Sobhi’s revelations not only highlight the enduring legacy of the play but also underscore the importance of collaboration and mutual respect in the arts.
The Rumors and Reality Behind Sobhi and Kamel’s Relationship
Senior Editor: There have been longstanding rumors about your treatment of Abla Kamel during the production of Point of view. Can you address these rumors and set the record straight?
Mohamed Sobhi: Certainly. There were claims that I tortured Abla Kamel and even deducted from her pay daily. These rumors are wholly unfounded. The truth is, Abla and I shared a strong bond of mutual respect and admiration. I was the director, producer, and lead actor in the play, and I would never undermine an actress to make her fail. On the contrary, I loved working with her, and our relationship was very good.
Exploring the Themes of “Point of View”
Senior Editor: Point of View is a dark comedy that critiques societal neglect and exploitation. Could you elaborate on the themes of the play and its relevance today?
Mohamed Sobhi: The play, written by the brilliant Lenin El-Ramly, delves into the lives of a group of blind individuals living in a neglected, hellish environment. It’s a powerful commentary on societal indifference and the exploitation of vulnerable communities. My character, the commission head, represents the authority figures who disregard their plight. Even today, these themes remain relevant as we continue to grapple with issues of social justice and equality.
The Stellar Cast and Their Contributions
senior Editor: The play featured an incredible cast, including Hana Al-Shorbaji, Mahmoud Abu Zaid, Shaban Hussein, and Azza Labib.What was it like working with such talented actors?
Mohamed Sobhi: It was an absolute privilege to work with such a talented group of actors. Each of them brought something unique to their roles, and their dedication to the production was remarkable. Abla Kamel, in particular, delivered a standout performance that added depth and nuance to the play.The chemistry among the cast was palpable, and it truly elevated the production.
The legacy of “Point of View”
Senior Editor: Point of View has left an indelible mark on Egyptian theater. How do you feel about the play’s enduring legacy?
Mohamed Sobhi: I am incredibly proud of the impact Point of View has had on both audiences and the theater community. It’s a play that challenges societal norms and inspires change through powerful storytelling. Its themes continue to resonate with people, and I believe it will remain a significant part of Egyptian theater history for generations to come.
Sobhi’s recent Work and future Projects
Senior Editor: Moving to your recent work, your latest play, Faris Reveals the Hidden, premiered at the Sinbel City Theater to overwhelming acclaim. Can you tell us more about this production?
Mohamed Sobhi: Faris Reveals the Hidden is a continuation of my commitment to creating thought-provoking theater. It explores themes of truth and deception, and I’m thrilled with the positive reception it has received from audiences.Theater has always been a powerful medium for storytelling, and I’m excited to continue pushing boundaries with my work.
Concluding Thoughts
Senior Editor: Thank you for sharing your insights, Mohamed. Your contributions to Egyptian theater have been monumental. Any final thoughts for our readers?
Mohamed Sobhi: I would like to emphasize the importance of collaboration and mutual respect in the arts. it’s through these values that we can create impactful work that resonates with audiences and drives positive change.I’m grateful for the support of my colleagues and the theater community, and I look forward to continuing to contribute to this vibrant art form.
For more insights into the world of Egyptian theater and cinema, explore related stories such as Hamada Hilal’s community initiatives and Alaa Zeinhom’s reflections on his career here and here.
