Mick Jagger: “We miss Charlie very much!”

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Jordan has earned his merits well outside the Stones family tree: he was the drummer for Stevie Wonder, Eric Clapton and the house band of the legendary American comedy show “Saturday Night Live”; you can also hear him on albums by Bob Dylan, Bruce Springsteen, Neil Young and Herbie Hancock.

Successful producer

As a producer, he won several Grammys, including one for John Mayer’s album “Continuum”. Jordan has been part of the John Mayer Trio since 2005, together with bassist Pino Palladino, who, by the way, has a very similar story to tell: When John Entwistle, bassist for The Who, was without a doubt one of the great legends in 2002 Innovators of this instrument who succumbed to a heart attack in a hotel in Las Vegas the evening before the start of a US tour, Palladino was on stage with The Who two days later – and has been touring with the British ever since.

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So Steve Jordan is much more than a replacement for Charlie Watts. In St. Louis he clearly showed that he will do everything in his power to fit into the overall picture of the Rolling Stones: The drum set with which Jordan played the show comes from Watt’s preferred brand Gretsch and was just as minimalist as that of the Stone -Co-founder. Jordan will miss Charlie too. But the show goes on.

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“King of the Delta Blues Singers”

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In 1961 a collection of Robert Johnson’s blues songs was published. Without them, the Rolling Stones would not have existed – and most of what came after.
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On the death of Charlie Watts

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Charlie Watts was a true understatement. A musician who knew what he could do. And who didn’t want what he couldn’t. He will be absent.
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Drummer Charlie Watts was for many the soul of the Rolling Stones, he managed to compensate for the band’s hotheads.

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Keith Moon was one of the most colorful figures in rock music. The highly talented drummer would have turned 75 on Monday.

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On December 6, 1969, the Rolling Stones played in California. 300,000 fans arrive. Sad result: four deaths and the end of the “Roaring Sixties”.
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The Rolling Stones celebrate their founding myth on “Blue & Lonesome” – and the Chicago blues. That is appropriate, competently implemented, and it is also legitimate. But do we need this record?

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