Now, I don’t know if it’s because I’m anxiously awaiting the airing of thelast (sensational) recording or if it’s the hair’s fault particularly fluent of Armando Incarnato that distracted me more than I should, but today I discreetly sanded the browns, I’m honest.
I mean, I’m longing to find out if the slap a Graziano Amato for the mutandina gate will be cut or not, I’m curious to understand how deep the trapdoor under the throne of Joel Milan… and what do they do? They place me a totally bet Gemma Galgani e Ida Platano centric. If this isn’t bad, I don’t know.
The only consolation was to ascertain how applause is increasing in favor of those who contest them and / or question their good faith. And I would love to delude myself that this is a piiiiiiccolo step towards the definitive purge of this combo of boulders from Elios, but I already know that – alas – it won’t be like that. So I’m content with their helpless first floor while Tina Cipollari O Isabella Ricci they annihilate them in three words.
But otherwise …
More Marcello speaks, however, more confirmation than that poraccio of Riccardo Guarnieri he was certainly not the monster that was described in the studio. Because the only obvious thing, after today’s superfluous mappazzone, is that Ida have a way… how to say… definitely personal to tell the events.
That – coincidentally – always tends to pass the man on duty for that “restrained and full of doubts“, And she like the little match that breaks the heart.
In a world full of Graziano who are waiting for nothing more than to run to the studio to spout every sordid anecdote of their acquaintances (always see the latest advances), but ALL LIFE one like Marcello that – with all due respect it may have for the Commission the editorial team – after he ends up in bed with a woman, he doesn’t have the first thought of bragging about it worldwide Channel 5, but rather try to understand if knowledge has a future or not.
He wasn’t asking for the moon, eh. He just hoped – as a person not used to cameras, on the contrary Ida that now wallows in us – in greater confidentiality to protect a knowledge that is too immature to be thrown away time for food Gianni Sperti & co. Which does not necessarily mean having to lie, as the columnist argued, but just omitting the most intimate details (bestowed with a funereal expression, by the way) until they understood if they could work or not.
It does not seem to me that he is deceiving her, nor that he is exploiting his frequentation with her to get people talked about, on the contrary. It seems all too honest and clear to me in telling her that, despite being involved, people need to get to know each other and take time. Trying to figure out who you are in front of and trying to meet him, though. Not taking care to get out of it well to the detriment of the other, one of the favorite clichés of Platano.
And the bad faith of Ida it is all summed up in the sentence of Marcello when he said that “listening to his story, even I would never go out with someone like me“.
As for the Galgani, tremendous this to match his Tina because “since you enter my private life i enter yours“. No, Gemma, no. It is YOU who have CHOSEN to go about your business every holy day for ten years now Channel 5, non Tina. Tina is there just to comment on the shit you combine so, first point, you are absolutely NOT in the same position and, second point, the Onions may well have had “many men“But in attending them he also preserved his dignity. Which cannot be said for sure about you.
On dating with that Pierluigi I am of the same opinion as the columnist, among other things, and I am convinced that in 4 or 5 episodes maximum we will see them in the studio to insult each other. But, in the meantime, what Gemma go back to basking in your always ready answers and your eyes “so sincere“. Che se “the more they criticize it, the closer I get“, I immediately run to the copy shop to bind him a tome with all the insults I find on the web, it was the right time that someone takes it seriously.
Ps. But how hot it feels, there Galgani, to think that the greetings of Giorgio Manetti that Tina led today to Isabella “he’s making them up“? Fortunately (of Gemma) the Seagull has mated again and in the parterre of Men and women does not go back, but a cameo just to express his esteem for the Ricci, what do you say Maria?
Video from the episode: Whole bet – Tina: “Gemma today is just from …” – Gemma takes the initiative – External by Gemma and Pierluigi – Gemma and Pierluigi: a debated knowledge – Isabella: “Luciano I’m fine with you, but …” – Tina: “Isabella greets you Giorgio Manetti” – Misunderstandings between Ida and Marcello
